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Posted on April 5, 2025

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15th Annual Photobook Exhibition
Various

July 3 – September 28, 2025

The Griffin Museum recognizes the importance of photobooks. Distinct from the gallery aesthetic, photobooks offer their own visual language, often conducive to more narrative qualities and seriality than the standard on-the-wall format. We celebrate this form of artistry and want to see the photobooks our community is working on. Juried by Karen Davis, Curator and Co-owner of Davis Orton Gallery, and Crista Dix, Executive Director of the Griffin Museum, our 15th Annual Photobook exhibition will showcase 40 photobooks books in our Griffin Gallery & Library during the summer of 2025.

We are pleased to present the books of –

Adrian Schaub, Andrew M K Warren, Brad Hamilton, Brandon Movall, Candice DiCarlo, Chantal Zakari, Conner Gordon, Courtney Johnson, David Rathbone, Diane Hemingway, Ellen Feldman, Fern Nesson, Gay Johnson, Geir & Kate Jordahl, Greg DeLory, Hillerbrand+Magsamen, Irene Reti, James Collins, Jose Ney Mila Espinosa, Joshua Deaner, Lisa Tang Liu & J. David Tabor, Lucia Ravens, Marcia Ciro, Michael King, Michael Seif, Nancy Farese, Nata Drachinskaya, Robert Kalman, Regina Anzenberger, Sarah Putnam & Darlene DeVita, Sean Perry, Shari Diamond, Stephen Albair, Steve Goldband & Ellen Konar, Susan J. Preston, Suzi Grossman, Thomas Winter, Timothy Hearsum, Tokie Rome-Taylor, Tsai Wei Tseng, Victoria Crayhon, Whitney Browne, William Harting, William Mark Somer, Leah Abraham & Ruth Broyde Sharone, and Terrell Otey

About the Jurors:

Karen Davis, Co-owner & Curator, Davis Orton Gallery.

Karen is a teacher, gallerist and photographer. For over 15 years she taught Photography Atelier, a portfolio development course in the Boston area at Radcliffe Institute, Lesley University and, most recently, at the Griffin Museum of Photography. She now teaches Portfolio Development and Marketing for Fine Art Photographers and The Self Published Photobook Workshop ONLINE for the Griffin Museum of Photography.

Karen is co-owner and curator of the Davis Orton Gallery. She has been an invited reviewer of portfolios at the New England Portfolio Reviews, Photolucida in Portland OR, FotoFest in Houston TX and Critical Mass (online/Photolucida) and Magenta Foundation’s Fence project.

Her photographs are in the collections of the CPW, Kingston NY, the Lishui Museum of Photography (China), and the Houghton Rare Books Library, Harvard University, and can be seen at the Massachusetts Museum of Contemporary Art (MASS MoCA).

Karen is a Critical Mass finalist and recipient of the CPW Artists Fellowship Award. Her word/image book, Still Stepping: A Family Portrait, was published in 2020. A second edition (2022) is available at The Spotty Dog Bookstore in Hudson, Inquiring Mind Bookstore in Saugerties NY, and the Davis Orton Gallery  website. Her photographs, photobooks and artist books have appeared in solo and featured exhibits throughout the country.


Crista Dix, Executive Director, Griffin Museum

Crista Dix has spent the last two decades as part of and surrounded by the creative community of photography, serving as the executive director of the Griffin Museum of Photography and previously as the owner of Wall Space Creative. With a passion for visual storytelling, Dix has dedicated her career to promoting and curating photographic artistry. wall space had locations in Seattle and Santa Barbara, showcased emerging and established photographers, fostering dialogue and appreciation for the medium. As the executive director of the Griffin Museum of Photography, located in Winchester, Massachusetts, Dix continues to elevate photographic narratives, offering a platform for diverse voices and perspectives within the art form. With a keen eye for innovation and a commitment to fostering community engagement, Dix’s leadership continues to shape the landscape of contemporary photography, inspiring creative artists and enthusiasts alike. Ms. Dix has written essays about photography, introducing creative artists work to a broader community. She has been a member of numerous panels and discussions on the craft of photography, juried creative competitions and has participated in major portfolio reviews across the country in cities like Houston, Portland, Los Angeles, Santa Fe and New Orleans.

  • © Leah Abrahams
  • © Stephen Albair
  • © Regina Anzenberger
  • © Whitney Browne
  • © Marcia Ciro
  • © James Collins
  • © Victoria Crayhon
  • © Joshua Deaner
  • © Shari Diamond
  • © Candace DiCarlo
  • © Greg DeLory
  • © Nata Drachinskaya
  • © Nancy Farese
  • © Ellen Feldman
  • © Steve Goldband & Ellen Konar
  • © Conner Gordon
  • © Suzi Grossman
  • © Brad Hamilton
  • © William Harting
  • © Timothy Hearsum
  • © Diane Hemingway
  • © Hillerbrand+Magsamen
  • © Courtney Johnson
  • © Gay Johnson
  • © Geir Jordahl
  • © Robert Kalman
  • © Michael King
  • © Jose Nay Mila Espinosa
  • © Brandon Movall
  • © Terrell Otey
  • © Fern Nesson
  • © Sean Perry
  • © Susan Preston
  • © Darlene DeVita & Sarah Putnam
  • © David Rathbone
  • © Lucia Ravens
  • © Irene Reti
  • © Tokie Rome Taylor
  • © Adrian Schaub
  • © Michael Seif
  • © William Mark Sommer
  • © Lisa Tang Liu & J. David Tabor
  • © Tsai Wei Tseng
  • © Andrew MK Warren
  • © Thomas Winter
  • © Chantal Zakari

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP