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Posted on April 10, 2009

15 Juried Show 2 person
Dana Fritz and Christopher Sims
July 8 – August 30, 2009

Reception July 15, 7pm

A plant terrarium site
leaf with piping.
A window with board on left.

A body of water surrounded by leaves.
A room with lights.
A soldier leaning against a tree.

A drawing of a face on a wall.
A building with oval roof.
A seated man on white robe with a machine gun.

June 11, 2009 (Winchester, MA)__ Justin James King photographs an anonymous public standing in front of the landscape, which he calls “a manifestation of culture.” He says that what viewers see in the landscape “are preconceived notions and pre-experienced views.”  Catherine Edelman, juror for the Griffin’s 15th Juried Exhibition, awarded King this year’s Arthur Griffin Legacy Award. King’s winning images join 50 others as part of the juried exhibition on display in the Griffin’s Main Gallery July 8 through August 30. Approximately 400 photographers from around the world submitted more than 2000 images to Edelman, owner of the Catherine Edelman Gallery in Chicago, Illinois. King, of Brooklyn, New York, received the $1,000 Arthur Griffin Legacy Award for three pieces from his And Still We Gather with Infinite Momentum series. The prints are part of a conceptual project on landscape and culture.

“The void in each of King’s landscapes could be the dark abyss of the future,” says Paula Tognarelli, executive director of the Griffin Museum of Photography.” Each viewer’s interpretation of the scene before them is personal and contextual.”

Lauren Semivan of Royal Oak, Michigan, received the $500 Griffin Award for her photographs Black and White Rabbits and The Swan, which are part of a series called Weights and Measures.

Ryan Zoghlin of Chicago, Illinois, was awarded an exhibition on the web for the Griffin Museum’s Virtual Gallery. Greg Sand of Clarksville, Tennessee, was awarded an exhibition on the Critic’s Pick section of the Griffin Museum website.

In addition to the awards, two artists were selected to present a joint show in the museum’s Atelier Gallery. Dana Fritz of Lincoln, Nebraska, was chosen to exhibit her Terraria Gigantica: the World Under Glass. Fritz’s images examine the world’s largest landscape complexes; the Lied Jungle and Desert Dome at the Henry Doorly Zoo in Omaha, Nebraska, Biosphere 2 near Tucson, Arizona, and The Eden Project near St. Austell, Cornwall, UK. Christopher Sims of Efland, North Carolina, was selected for his Home Fronts: The Pretend Villages of Taletha and Braggistan, a series of photographs portraying simulated Iraqi and Afghan villages on U.S. Army training bases in North Carolina and Louisiana.

 “This year for our 15th Juried Exhibition, Catherine Edelman has assembled a superb photographic display,’’ says Tognarelli. “The exhibition has a very compelling rhythm that demonstrates Edelman’s personal and unique vision.”

  Featured in the Griffin Gallery is the Joan Johnson Exhibition, showcasing the work of local high school seniors.  The winner of this year’s $1,000 Joan Johnson Scholarship was Lily Kupets, a recent senior at Winchester High School. Jurors were photographer Andrea Rosenthal of Boston and Rory Schuler, editor of the Winchester Star newspaper.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP