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Posted on July 15, 2014

A Singular Vision
Arthur Griffin
– November 12, 2014

Lafayette City Center Hallway
The passageway links Macy’s with the Hyatt Regency Hotel
2 Ave De Lafayette Boston, MA 02111

Commuters at South Station
Arthur Griffin
Women in a dressing room.

Before he became known as “New England’s photographer laureate,” Arthur Griffin was an accomplished photojournalist. In the 1930’s and 40’s, Griffin served as the New England photojournalist for Life and Time magazines and was the exclusive photographer for the Boston Globe Rotogravure Magazine. Arthur Griffin: A Singular Vision, is an exhibition that focus solely on Griffin’s work as a photojournalist, will be on display in the Lafayette City Center Hallway that links Macy’s with the Hyatt Regency Hotel from July 16 through October 6, 2014.

“In conjunction with the renovation of the Lafayette City Center into a modern mixed-use office and retail center, we are excited to be promoting culture and arts in the district,” said David Epstein, president of the Abbey Group and owner of Lafayette City Center. “The vibrant nature of Downtown Boston continues to flourish with these types of unique and exciting happenings occurring on a regular basis making it one of the most dynamic neighborhoods in the city for both office workers and residents.”

The 1930’s – 1950’s were the golden age of photojournalism, and Griffin worked side by side with legends like Alfred Eisenstadt, Gordon Parks and Carl Mydans. The job of these photojournalists was to eyewitness great events and to do whatever they had to do to be on the scene. Their photographs needed to tell the story, not merely illustrate or adorn it.

“What makes the photographers of this era stand out from most of the photojournalists of today is that they could do everything – fashion, war, street scenes, celebrities – and they could do it all amazingly well,” explained Robert Sullivan, executive editor of LIFE and editor of the book The Great LIFE Photographers (Bulfinch). “Arthur Griffin was of this mode. He was capable of shooting anything and doing it very well. His photographs have an aesthetic quality that give them meaning and depth and a history that provides you with all you need to know about the people and places in the photograph.”

Demonstrating Griffin’s unique talent and storytelling ability, A Singular Vision brings together some of Griffin’s finest street photographs, sports photographs and portraits taken while on assignment. Griffin’s assignments had him covering the visits of luminaries like Herbert Hoover and Bette Davis, documenting tragedies such as the hurricane of 1938, and chronicling every day life and events like the Brockton Fair and swimmers at Revere Beach. Griffin’s photographs combined his impeccable sense for composition with a playful, kinetic quality that was a reflection of his personality and gave the photographs depth and meaning.

“After 1951, Arthur Griffin chose to move into more commercial work,” said Paula Tognarelli, Executive Director of the Griffin Museum. “Many people aren’t aware of his journalistic work, or of his pioneering work with color film. Arthur Griffin’s contribution to the world of photography comes from his complete body of work. In the glory days of photojournalism, he was one of the great chroniclers of New England. We are very proud to be able to share his work, and his legacy, through this exhibition.”

Arthur Griffin: A Singular Vision, is an exhibition that focus solely on Griffin’s work as a photojournalist, will be on display in the Lafayette City Center Hallway that links Macy’s with the Hyatt Regency Hotel from July 16 through October 6, 2014.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP