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Posted on April 15, 2015

Washed Up
Alejandro Durán
–
Tooth brushes standing on end in the sand.
Cepillos 005
Plastic bottles in sand
Nubes 2011
Blue plastic on beach
Mar 2013

Black plastic on beach in front of palm trees.
Gota 2011
Clear plastic on beach
Espuma 2011
Multicolored plastic in sand.
Derrame 2010

A mixture of coconuts and colored plastic balls under coconut tree.
Cocos 2011
Light bulbs on sand by water.
Bombillas 5
Clear plastic forms a circle in a marsh with sky above.
Amanecer 2011

Green glass bottles on grey sand
Algas 2013

Washed Up Artist Statement
Alejandro Durán

Washed Up is an environmental installation and photography project that transforms the international garbage washing ashore on Mexico’s Caribbean coast into aesthetic, yet disquieting, works. During the course of this project I have identified plastic waste from fifty nations on six continents, all found along a single stretch of coastline in Sian Ka’an, Mexico’s largest federally-protected reserve. I collect this international debris, arrange it by color and form and use it to create site-specific installations. Conflating the hand of man and nature, at times I distribute the objects the way the waves would; at other times, the plastic takes on the shape of algae, roots, rivers, or fruit, reflecting the infiltration of plastics into the natural environment. Beyond creating a surreal or fantastical landscape, these installations mirror the reality of our current environmental predicament. The resulting photo series depicts a new form of colonization by consumerism, where even undeveloped land is not safe from the far-reaching impact of our disposable culture. Although inspired by the work of Andy Goldsworthy and Robert Smithson, Washed Up speaks to the environmental concerns of our time and its vast quantity of discarded materials. The alchemy of Washed Up lies not only in transforming a trashed landscape, but in the project’s potential to raise awareness and change our relationship to consumption and waste. As part of my work, I am also currently creating a Museum of Garbage on location in Sian Ka’an, which will include installations and photographs from the Washed Up series. It will be accompanied by an arts and education program for the children of Punta Allen, the local community in Mexico where I have spent the past 5 years working on this project. We will explore the issue through upcycling lessons, plastic pollution research, a beach clean and other interactive activities. Activism through art and education is an integral part of the Washed Up project and is my way to raise awareness regarding this global Scourge.


Alejandro Durán – Biography

Alejandro Durán was born in Mexico City in 1974 and lives and works in Brooklyn, NY. He is a multimedia artist working in photography, installation, and video. His work examines the fraught intersections of man and nature, particularly the tension between the natural world and an increasingly overdeveloped one. He received an MA in Teaching from Tufts University in 1999 and an MFA in poetry from the New School for Social Research in 2001. Durán received En Foco’s New Works Award and was included in the Bronx Bienial of Latin American Art in 2012. He has exhibited his work at the Galería Octavio Paz at the Mexican consulate in New York and he is currently Hunter College’s Artist-in-Residence for 2014-15. His solo show, Washed Up: Transforming a Trashed Landscape, was exhibited at Hunter’s East Harlem Art Gallery in 2015. Publications include Land Art, published in France in 2013, which also includes Andy Goldsworthy, Robert Smithson, Christo and Jeanne-Claude, Olafur Eliasson, and Marina Abramovic, among others. Art & Ecology Now was published by Thames & Hudson in 2014 and will include images
from Washed Up, as will Unexpected Art, a publication by Chronicle Books published in 2015. Notable press includes a photo essay published in Germany’s Die Zeit, as well as a feature article in New York’s El Diario/La Prensa and mentions in New York Daily News and The New York Times. Durán has taught youth and adult classes in photography and video since 2002 and has worked as a museum educator at The Museum of Modern Art and The International Center of Photography. He is also a video producer whose clients include MoMA, The Museum of Arts & Design, and Columbia University.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP