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Posted on January 21, 2021

Notes
Alyssa Minahan
February 15 – April 18, 2021
cover
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From the Photographer – Alyssa Minahan

NOTES
is a visual poem on the impermanence of our lived experiences and the beauty to be found in its acceptance. When I began making this work, I had suffered a profound personal and physical loss. At the same time, I was seeking ways to describe the liminal period in my sons’ lives between boyhood and adolescence, specifically their emotional and physical independence from me as their mother. To give form and meaning to these experiences, I turned to the materiality of the photographic medium, creating objects that question established notions of process and permanence.

The objects in NOTES – emulsion lifts, unfixed and partially fixed photograms, gelatin silver prints, film and chemigrams – continually shift and change, sometimes deteriorating into nothing while other times evolving into something more beautiful. Multiples of the same image – a cloud, inverted as both its positive and negative – reflect notions of chance and potentiality. A fingerprint left on the emulsion of an unfixed chemigram acts as a witness to human presence. These unique photographic objects, with their imperfections and variability, are evidence of the only constant – change.

Book photographs courtesy of Datz Press.

cover

 

2019
18 x 25 cm
46 pages
Soft cover / Pamphlet stitch
Limited Edition of 100 copies. Each copy includes a unique photographic object.
Published by Datz Press (Seoul, South Korea).

 

BIO
Alyssa Minahan utilizes photographic materials, including unfixed gelatin silver paper and large format negatives, in non-traditional ways to express ideas integral to the medium of photography, specifically its complex relationship to time, space and memory. In September 2019, Alyssa released NOTES, a handmade photo book published by Datz Press (Seoul, South Korea). NOTES is held in the collections of The New York Public Library, International Center for Photography Library, Amon Carter Museum of American Art Research Library, Stanford University Library, California College of the Arts Library and Massachusetts College of Art and Design Morton R. Godine Library. Alyssa has exhibited her work at numerous galleries and museums, including the Datz Museum of Art (Seoul, South Korea), Center for Creative Photography (Tucson, Arizona), Pingyao International Photography Festival (Shanxi, China), Photographic Center Northwest (Seattle, Washington) and Boston University Art Galleries (Boston, Massachusetts). In addition, her work has been featured in Harper’s Magazine, Art New England and Phases Magazine. Alyssa is the recipient of the 2017 Massachusetts College of Art and Design Graduate Teaching Fellowship and is currently a Lecturer of Photography in the the Department of Visual and Media Arts at Emerson College, Boston.

View Alyssa Minahan’s web site.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP