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Posted on June 6, 2014

Death of Goldie Series
Amanda Francoeur
–
Goldfish in a plastic bag
Amanda Francoeur
one goldfish
Amanda Francoeur
two goldfish
Amanda Francoeur

one goldfish
Amanda Francoeur
the fish bowl top
Amanda Francoeur
fish bowl from above
Amanda Francoeur

a gold fish
Amanda Francoeur

Death of Goldie Series – Artist Statement
A reflection on routine and repeating habits we create in our daily lives.

We go through the motions and experience new things with the inevitability of death lingering heavily above our heads. We clutch at ephemeral pleasures, desperate to assuage the crushing monotony of existence. The various risks or changes we make for love, murmurs of joy, or happiness only suffice for an instant in our otherwise blip of a lifespan.

Illustrative of our own evanescence, the betta fish and goldfish are commonly recognized as short-term pets. Destined to sit on a shelf or a table, confined in a glass display, hoping the owner remembers the only required task of feeding them in order to continue their instinctual act of swimming in circles.

There is a primitive requirement of being submerged in water, as we are in air, that if subtracted, one would cease to exist. Even though we sometimes equate discomfort in the human realm to a “fish out of water”, in the aquatic world it would inevitably lead to death. We lightly empathize with the sensitive ecosystem needed to maintain a well-balanced existence.

Unlike fish, our desire and ability to achieve happiness, no matter how short lived, dwells inside us. We take leaps of faith in the self-serving pursuit of happiness. Everyone dies and life is full of events, some beneficial, some debilitating. Having the ability to digest those incidents, we deduce which direction to take next. When it ends, one venture is over, but others continue. We each go through our separate journey seeking our own sublime path.

Amanda Francoeur – Artist Bio

Primarily trained in digital arts and graphic design at the AiMiami International University of Art & Design (2008), she has since fallen in love with the tactile nature of the photographic darkroom. After extensive exploration of alternative photographic processes, she came to appreciate the rawness of the photogram.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP