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Posted on April 1, 2013

After Images
Amy Arbus
– June 2, 2013

Opening reception April 11, 2013 7 PM – 8:30 PM (please rsvp)
Amy Arbus and Mike Carroll of the Schoolhouse Gallery in conversation and gallery tour April 12, 2013 7 PM,Griffin Members, ASMP and CIPNE members are $7, $10 Students, $20 Nonmembers (purchase tickets)
Members’ only talk with Stephan Sagmiller April 11, 2013 at 6:15

Read Article on Amy Arbus at the New York Design Center by Rachel Wolff

Digital Silver Logo
© Amy Arbus
Woman dressed in black
© Amy Arbus
Man in front of plate and mug
© Amy Arbus

Amy Arbus uses photography to evoke the classical paintings of Picasso, Modigliani, Balthus, and Ingres, bringing the subjects to life.

A series of her photographs, After Images, is featured in the Main Gallery of the Griffin Museum April 9 through June 2. An opening reception with the artist is April 11, 7-8:30 p.m.

"I chose portraits that I found emotionally intense and heartbreakingly beautiful," says Arbus.

She then photographed actor friends and other models to reflect those paintings.

"Re-enacting a painting requires a very deliberate kind of scrutiny," Arbus says. "It felt like dissecting and re-assembling. I was always too intimidated to create portraits in the style of another photographer, yet ironically with this series, in taking liberties from the original, I feel I was able to make my most unique body of work yet."

"When people first see them, they aren’t sure if they are looking at paintings or photographs."

Arbus describes her technique. "I learned how to create very soft lighting, imitate the skewed perspectives in the paintings and which colors for skin wouldn’t translate well into photography," she says. "It wasn’t until I was on the set that I felt like I knew exactly what I wanted."

"Occasionally, I would know within minutes that a picture wasn’t going to work, that all the elements wouldn’t come together, so I would move on."

Arbus says she and the actors discussed what might have been happening in the life of the subject of the painting to access a level of empathy.

"To me, they are paintings come to life," she says.

As for continuing the series, Arbus says, "I see this particular body of work as being complete, but inevitability it will inform whatever I do next."

Now Available in  the  Griffin Bookstore

Now Available in the Griffin Bookstore

Arbus has published four books, including the award winning On the Street and The Inconvenience of Being Born. The New Yorker called her book, The Fourth Wall, her masterpiece. Her advertising clients include Chiat/Day, Foote, Cone and Belding, American Express, Saatchi & Saatchi, SpotCo, New Line Cinema, and Nickelodeon.
Her photographs have appeared in more than 100 hundred periodicals around the world, including New York Magazine, People, Dazed and Confused and The New York Times Magazine.

She teaches portraiture at the International Center of Photography, Maine Media Workshops, and The Fine Arts Work Center.

Arbus is represented by The Schoolhouse Gallery and The Griffin Museum of Photography in Massachusetts. She has had 22 solo exhibitions worldwide and her photographs are a part of the collection of The National Theater in Norway, The New York Public Library, and The Museum of Modern Art in New York.

Digital Silver ImagingThis exhibition is sponsored in part by Digital Silver Imaging

Amy Arbus and Gallerist Mike Carroll of the Schoolhouse Gallery in Conversation and Gallery tour at 7 PM on April 12, 2013 at the Griffin Museum of Photography. $7 Griffin Museum and ASMP Members, $10 Students, $20 Nonmembers. (purchase tickets)

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP