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Posted on February 21, 2021

Anonymous
Edie Bresler
April 1 – May 23, 2021

Artist talk/reception April 11, 2021 at 4 PM
Catalog will be available.

  • woman with sun over shoulder opens IMAGE file
    © Edie Bresler, "Anonymous, 1855, 2021"

Statement
During a year-long illness, I spent more time looking at photographs in books than making them. A series of anonymous nudes from various sources, all made between 1843-1910 entered my consciousness and kept me restless. It was not just the finality of the title, “anonymous”, but wonder about the relationship between photographer and subject. I found myself dreamily inventing backstories and imagining what they might have been like outside the photographers studio. To satisfy my curiosity, I scanned the original reproduction to digitally remove them from the studio. Then I began creating an alternate place and time. I embroider, and sew clothing as a gesture of renewal and second chances. Each sewn photograph is a unique echo of the original, akin to a distant, imagined descendent. I gratefully acknowledge the collectors and institutions who collected and preserved the original moments. – EB

Bio

Edie Bresler is a longtime artist who investigates chance and randomness with photography. Her multi-faceted projects embracing a gamut of processes and possibilities is a rarity in this era of branded creativity.

Bresler is a recipient of a Massachusetts Cultural Council fellowship in photography, several Visual Artist Fellowships from the Somerville Arts Council, a Berkshire Taconic Artist Resource Grant, and a New York Foundation for the Arts grant.

Her projects have been featured on Good Morning America and PBS Greater Boston as well as in Photograph Magazine, Lenscratch, Slate, Photo District News, Business Insider, Esquire Russia and many other publications. She is represented by Gallery Kayafas in Boston and her photographs are in the permanent collections of the Houston Museum of Fine Arts, the Danforth Museum of Art and Polaroid Corporation.

Bresler lives in Somerville, MA and is director of the photography program at Simmons University.

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View Edie Bresler’s website.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

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