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Posted on June 25, 2010

Architecture of the New China: Landmark projects of Beijing
Andy Ryan
– September 10, 2010
Scaffolding in front of a building.
The framework of a building.
A dome like building.

A building that looks like a bird's nest.

June 30th – September 10th, 2010

Andy Ryan’s serene images of the sleek and mind-boggling-massive landmark projects of Beijing sparked awe-inspired conversation well past the viewing hours of the opening at the Griffin Gallery at Digital Silver Imaging.

Architects marveled at the scale and scope of Steven Holl’s Linked Hybrid complex including sky bridges containing a suspended swimming pool, gallery, theater and auditorium.  The bird’s nest design of the Beijing National Stadium, home of the 2008 Summer Olympics, was dwarfed from a distance. In comparison, the close-up capturing the broom-welding harnessed workers cleaning the façade brought home the magnitude of this $500 million feat of engineering and was a favorite among viewers.

Photographers marveled at the 3 sepia-toned prints from Polaroid Type 55 negatives which exemplify DSI’s mission of the art of B&W; in a digital world. The fairy tale quality captured in “Heaven” belies the gritty reality of this dangerous construction site. Kudos to our intern extraordinaire, Anna Rotti, who mastered this tricky technique.

The talk of the show were the fiber based prints flush mounted to aluminum. The unique sizes and ability to have the print float off the wall make for a stunning, clean and modern presentation. It amplified the starkness of the cutting edge architecture.

DSI had our own feat of grandeur in creating the workflow to provide these beautiful pieces. We are excited to add this output option to our services.

Andy provided a comprehensive presentation of the landmark projects in a digital slideshow.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP