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Posted on January 2, 2014

Peaches and Penumbras
Barbara Ford Doyle
– March 2, 2014

Opening reception January 23, 2014 7-8:30 PM
Members talk 6:15 Denyse Murphy

  • Peach halves
    Barbara Ford Doyle
    Barbara Ford Doyle
  • Artichoke halves
    Barbara Ford Doyle

Barbara Ford Doyle was inspired by her husband’s attempt to save his garden crops from freezing. Out of cutting peppers in half to make relish came the idea for “Peaches and Penumbras.”

"For my photographs in this series, I interpret the word penumbras to insinuate the secrets that nature hides within," says Barbara Ford Doyle..

All of Doyle’s photographs are photo transfers onto DASS Stone Paper, a heavy limestone and resin, waterproof substrate. Doyle applies gel solution directly to inked DASS film, similar to Polaroid emulsion transfers. The "skin" can be stretched and pushed while it is still fluid.

"Just as each of my subjects is unique by nature, each of my transfers has a peculiar characteristic," Doyle says.

Ms. Doyle is a resident of Chatham, MA. She attended the University of Massachusetts and Southern Connecticut University majoring in Art Education. A former art teacher in the Massachusetts public schools, Doyle gives workshops on contemporary photographic imaging processes. She is a member of ArtSynergies, Arts Foundation of Cape Cod, Provincetown Arts Association and Museum, Printmakers of Cape Cod, and Cotuit Center for the Arts.

Barbara Ford Doyle will be giving a workshop and talk at the Griffin Museum in February 2014.

Denyse Murphy will give a members’ talk at 6:15 PM before the exhibit opening on January 23, 2014 at 7 PM.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

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