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Posted on December 20, 2020

Between Two Worlds
Karen Olson
January 7 – February 14, 2021
woman facing left
© Karen Olson, “Blindsight”
woman holding box
© Karen Olson, “Broken”
woman head
© Karen Olson,”Between”

arms rocking
© Karen Olson, “Beyond Reason”
woman arms raised
© Karen Olson, “Cover Me”
dark figure
© Karen Olson, “Rain No Rain”

hand
© Karen Olson, “Not Lost’
figure bent
© Karen Olson, “Fire No Flame”
hands behind back
© Karen Olson, “No Words”

crown
© Karen Olson, “Torn”
back to us
© Karen Olson, “Barely There”
hands on head
© Karen Olson, “Powered Down”

hands over head
© Karen Olson, “Grit”
back to us with hose
© Karen Olson, “Raw”
silhouette arm raised
© Karen Olson, “Please”

Statement
While in the throes of grief I sought to visually express what was so difficult for others to hear. I had suffered a traumatic loss.  In addition to grief, I was experiencing Post Traumatic Stress Disorder which resulted in severe brain disfunction. My brain simply could not make sense of my new reality, I was unable to make cognitive connections or problem solve at even a base level. Feeling trapped and in a continual state of transition, I was caught between the life I once had and the one I hoped to live. ‘Between Two Worlds’ was created to visually express this experience, the devastating effects of grief and trauma. 

I wanted a way to depict that ambiguous void, the space that lacks clarity or form. As I worked through my creative process with limited abilities, I discovered a minimal color palette and layers of reflected light would illustrate the language of the subconscious. I developed a specific method of intertwining elements digitally to portray the depth of the emotional experience.

Grief and trauma affect nearly everyone, yet collectively we haven’t learned to tell the truth about our pain. My personal experience brought about a keen awareness. There is an acute lack of understanding, of how to support and help those in crisis in our society. ’Between Two Worlds’ is intended to act as a catalyst for conversation, a prompt to tell our stories, to foster the courage to do so in the face of what cannot be transformed.

Bio
Karen Olson is an artist working in photography, a graphic designer, and a writer. Her work illustrates the language of the subconscious; human emotion with all its intricacies and complexities. She feels strongly that it is our strength to express the deepest part of ourselves, to validate and honor the pain we carry in our hearts. She has been featured in many galleries and shows throughout the US such as the Torpedo Art Center – Target Gallery, the Rhode Island Center for Photography, and the Griffin Museum of Photography. She won honorable mention in the 2020 Maine Photography Show for her image, ‘Grit.’ Karen has also been featured in several online and print magazines including The Hand, Artful Blogging, and Bella Grace.

Karen Olson has been a working Maine artist for over 30 years and has studied with both local and visiting artists and photographers at Maine Media Workshops and College and other venues both in the US and abroad. She is an active part of the Midcoast Maine art scene having worked as executive director and instructor for the Art Loft, a community arts center in Rockland, Maine. She created and wrote two arts-related blogs over five years, one for Bangor Daily News, the other a blog discussing the creative process. She is an avid student of creativity, specifically working to understand the neuropsychology behind the creative process and how it benefits our mental and emotional health.

Recent projects include ‘Between Two Worlds,’ which exists as a series and book of poetry, text, and imagery designed to act as a companion for those who suffer grief and trauma. Another project, “Wildheart,’ is a series of images depicting the multisensory experience and healing properties of forest bathing. Karen is currently working on a project entitled ‘Empathy,’ which employs both photography and photo-based mixed media. The project centers around the concept of attentive self-empathy and cognitive empathy for others. 

CV

View Karen Olson’s Website.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP