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Posted on March 10, 2025

Blue Outtakes: A Cyanotype Collection

The Griffin Museum of Photography is committed to providing exposure opportunities for artists through monthly online exhibitions in its Virtual Gallery. While not every submitted photograph fits the curatorial vision for a show, we maintain an active record of noteworthy works that deserve recognition. Here, we highlight a selection of compelling submissions to our Anna Atkins Birthday Extravaganza —cyanotypes that, while perhaps not directly responding to or celebrating Atkins’ botanical achievements, captivate with their unique artistry and vision. The photographs showcase the diversity of subject matter explored by contemporary artists, spanning still life, landscape, and portraiture.

PART I
On the Human Form

  • © Barbara Hazen, Nude Study #24
  • © Ladini Conder, Moon Child
  • © Mckenzie Campas
  • © Barbara Hazen, Nude Study
  • © Eva Erdmann, L’Ame Du Temps
  • © Lena Konstantakou, Nostalgia
  • © Sally Bousquet, I’d Rather Be, 2019
  • © Seth Fields, Karissa The Garde
  • © Charlotte Roger, Ghost
  • © Emma Powell
  • © Phoebe Shuman Goodier, Madelaine
  • © Keshav Bhagat
  • © Jalyn Turner, Untitled
  • © Michael Lennon, Always Be Him
  • © Mila Dorfman, Untitled
  • © Nikki Davidson, Not Falling
  • © Kelly Saylor, CJ By The Water
  • © Katarzyna Kalua, Limpha
  • © Ash Oakley, Ode to the Argonauts
  • © Amy Flatow, Wild Buffalo
  • © Hami Trinh, I Remember You
  • © Evan Murphy, Jacob

Part II
Objects, Forms and Silhouettes

  • © Annabel Dover, Queen Victoria’s Mourning Handkerchief
  • © Nate Ely, Radiolaria
  • © Sara heywood, Found Objects Packaging Label
  • © Pamela Hawkes, Three Shelves
  • © Kathryn Hetzner, Frayed Nation
  • © Laura Ritch, Isolation Gown
  • © Katya de Grunwalkd, Waiting Room
  • © Georg Rigerl , Borsa Blu
  • Chris Byrnes, Walking With the Unknown
  • © Gaby Langlois, Girl Bag 1
  • © Ali Trepanier, Tabbing
  • © Liv Harris, Inside My Head
  • © Reese tanabe, Hopes and Dreams
  • © Sally Ayre, Shoreline Walk
  • © Susan Murie, Voyage
  • © Will Henry, In Passing
  • © Patricia Olivieira, Mantras

PART III
Landscapes

  • © Emily Laux, No Place Like Home
  • © Rachel Urban, Devastation
  • © Susan Sentler, A Folding of Sea of Mountain
  • © Yat Chun Chan, Savannah 531A
  • © Anna Leigh Clem, Teeth Grow in the Heathland
  • © Jess Levey, Nurse Log 1
  • © Lisa Di Donato, Discontinuous Fieldwork, Hechtia Podantha
  • © Tom Finke
  • © Margo Geddes, Streambank

PART IV
Fauna

  • © Anna Walsh
  • © Jo Stapleton
  • © Bob Goldstein
  • © Wout De Ridder
  • © Linda Sukamta
  • © Erin Venville
  • © Samantha Beck, Trascendence

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP