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Posted on July 9, 2014

Anatomy of a Corner
Brian Sargent
–
  • People standing on a corner.
    Brian Christopher Sargent
    Brian Christopher Sargent
  • People standing on a corner.
    Brian Christopher Sargent
  • People standing on a corner.
    Brian Christopher Sargent
  • People standing on a corner.
    Brian Christopher Sargent
  • People standing on a corner.
    Brian Christopher Sargent
  • People standing on a corner.
    Brian Christopher Sargent
  • People standing on a corner.
    Brian Christopher Sargent
  • People standing on a corner.
    Brian Christopher Sargent
  • People standing on a corner.
    Brian Christopher Sargent
  • People standing on a corner.
    Brian Christopher Sargent

Over the past 10 years I been documenting real estate projects in and around Manhattan as part of a larger body of streetwork that I’ve produced since moving to the city in the mid-nineties. I was initially drawn to the novelty of observing how, once shrouded in plywood, readily identifiable locals would be transformed into anonymous corners, as if Christo and Avedon co-conspired to emphasize the cities populace. One thing I found loathsome was the encroachment of the supersize vinyl advertisements which announced the impending arrival of the corporate brand that was to displace what may or may not have been a cherished only-in-NY institution. I was
only just recently made aware of my fellow New Yorker and photographer Natan Dvir, when he gained acclaim for his series “Coming Soon”, pictures of ostensibly the same subject matter. I find it interesting to compare our approaches particularly since we were photographing many of the same corners, each unaware of the other’s project. The images from Anatomy of a Corner are from a single intersection on 5th Avenue that I photographed over the course of 6 or 7 weeks during my lunch break. They are comprised of up to 4 or 5 vertical images whichI’ve stitched together in Photoshop, which allows for the grander sense of scale and slightly wider field of view I feel landscape work requires.

Brian Sargent Bio

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

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