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Posted on June 4, 2015

Seas Without A Shore
Chris Anthony
– September 11, 2015

Reception July 23, 2015 6 – 8 PM

A seahorse.
Chris Anthony
A man fully dressed coming out of the sea with a tall cone on his head.
Chris Anthony
A woman with a staff emerges from the sea with a red skirt and queen's crown.
Chris Anthony

Los Angeles-based photographer and filmmaker Chris Anthony’s photographs are fashioned from his childhood fiction-filled reading habits. He was drawn to characters from mythology, to mystery and horror stories and to poems by Edgar Allen Poe. His favorite protagonists include deities, devils and demi –gods, hobos, princes, nymphs and fishermen and the seahorse or mythical hippocampi. The title of his exhibition comes from a line in one of Poe’s poems called Dream-Land. “Seas Without a Shore reflects the woes of all those sea-faring nomads, survivors and otherwise peculiar characters marching about and standing for portraits in the ocean surf [in my photographs],” says Chris Anthony.

A series of Anthony’s photographs called “Seas Without a Shore,” is featured at the Griffin Museum at Digital Silver Imaging, 9 Brighton St., Belmont, MA, on June 16, 2015 through September 11, 2015. An opening reception will take place July 23, 2015 from 6-8 p.m.

“I was smitten with Edgar Allen Poe’s imagery,” says Anthony. “I also remember a vintage movie poster that hung on my Aunt Maggie’s living room in Stockholm from the 1934 film, The Black Cat,” he says. “The disembodied heads of Boris Karloff and Bela Lugosi that zoomed across a blackened vortex of a cat’s silhouette made a huge impact on me. Their facial expressions were terrifying. The poster didn’t scare me though. It thrilled me.”

Chris Anthony creates the props and costumes for the scenes in his photographs. The pieces are a combination of archival pigment prints and wet plate collodion assemblages, a process developed in the mid-19th century. He uses modern day equipment as well as antiquarian processes. The ocean backdrop is Venice Beach in California.

Born in Sweden, Anthony currently lives and works in Los Angeles, California. His work has been exhibited in Los Angeles, Stockholm, Brooklyn, Hong Kong, Washington D.C., London, Bath, San Francisco and is included in many private and public collections around the world. Publications that have featured Anthony and his work include the Los Angeles Times, The Washington Post, Photo District News, Eyemazing, Art News, American Photo, Blink, Paper, Photo+, GUP, Fraction Magazine, Nylon, Black Book, Juxtapoz, Zoom, Angeleno, The Huffington Post, Corrierre della Serra and LA Weekly. Clients include Chiat/Day, Sony Playstation, Sony Music, Universal Music Group, Republic Records, Warner Music, Los Angeles Magazine, Hollywood Records, Reprise, Stuttgart City Ballet, Myspace Records, Dell and USC.
The exhibit is open to the public Mondays through Fridays, 9:30 a.m. to 5:30 p.m.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP