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Posted on April 15, 2015

Critic's Pick
Christine Holtz and Lauren S. Zadikow
–
A tennis court
A city skyline through trees.
The back cage behind home base

A walkway sidewalk, lawn with tree backdrop.
A pathway with garden on left.
A baseball field from the perspective of the sidelines looking at home plate. Brush is to the left.

A pole with a basket on top.
A playground from a distance.
A road in the woods.

A dug out at a ball field.
2 stairways to an upper level with house in background.
A golf course from a distance.

A do it yourself car wash with sign in front.
A city skyline from a hill.
Enclosed tennis courts

woods
bridge over golf course
street with houses by park

curved road with trees
city view on hill

50 Greenspace Dumpsites
Christine Holtz and Lauren S. Zadikow

We began our search by walking down an alley in the South Side of Pittsburgh on a winter day. We were looking for an illegal dumpsite that we knew existed; we had used the GPS coordinates provided, but weren’t seeing it. We have learned to follow clues since that day. We explore the city, the landscape; taking paths along train tracks and rivers, into the woods and over the sides of hills. Tires, treated wood, railroad ties, household garbage and
construction refuse all lead the way to dumpsites.

Illegal dumping in Pittsburgh is widespread; however, it is a problem that many locals don’t even know about. We quickly learned that the culture of dumping is boundless, affecting almost every neighborhood and socio-economic area in the city. We were immediately motivated to begin recording sites. We contacted Allegheny CleanWays, a local non-profit that organizes neighborhood clean-ups and fights illegal dumping, they granted us access to their statistical and GPS data, which was integral to developing this project.

We delved into the mass of data, mapping the known coordinates. Not only are there more than 300 documented dumpsites, many exist on the sides of steep hills and in woodsy perimeters of residential neighborhoods. More disturbing, there are sites in extremely close proximity to green spaces often used for outdoor recreation. These include public parks, little league fields, cemeteries and playgrounds. Evidence of people dumping different types of materials and waste varies from site to site; old shingles, construction waste, carpeting and tons of tires litter the scenes.

The photographs appear to be landscapes of public spaces, but when coupled with data about the space as a dumpsite, the multiple layers of information present viewers with a new perception of these places. By creating a bridge between the unsuspecting landscape image and the truth about what happens there, we are attempting to bring a new level of significance to these sites. Images are paired with relevant data and a Quick Response code. The QR code links users to a website where additional images of the dumpsite are included. Here viewers will see documentation of the dumping itself. There will be play between the beautiful and the ugly, the sublime and the underbelly.

Bios
Christine Holtz and Lauren S. Zadikow have been photographing together since 2001, when they met on a photography workshop in the desert southwest.

Christine Holtz has a BFA from the Rhode Island School of Design, and a MFA from Rochester Institute of Technology. She is currently a Professor of Media Arts at Robert Morris University

Lauren S. Zadikow has a BFA from Rochester Institute of Technology, and a MFA from Southern Illinois University Carbondale. She is currently a PhD Candidate in Media and Communication at European Graduate School

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP