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Posted on April 2, 2014

The Ancients’ Views Portfolio
Clyde Heppner
– June 8, 2014

Opening reception April 10, 2014 7-8:30 PM
Members talk 6:15 Brian Alterio

A landscape rooftop
Clyde Heppner
A landscape of a sea of clouds.
Clyde Heppner

Clyde Heppner is a fine art photographer who has focused largely on depicting the landscape. His training in Psychology and Eastern art has greatly influenced how he configures the environment for the viewer.

Heppner’s series, Ancients’ Views, is featured in the Griffin Gallery at the Griffin Museum April 10 through June 8, 2014. An opening reception with the artist is April 10, 7-8:30 p.m.

"I am captivated by ancient Chinese paintings," says Clyde Heppner. “The Ancients’ Views is a series of photographs from the Chinese gardens of Suzhou and the Huangshan Mountains in China,” he says. “These locations are magical places and over the centuries Chinese master painters traveled to capture them or were inspired by them. Being in the gardens of Suzhou and the Huangshan Mountains in 2013 was a particularly powerful experience for me as it allowed me to see what the ancient masters’ saw and apply their principles to my photographic compositions."

"Clyde Heppner offers us serene studies of the landscape," says Paula Tognarelli, executive director of the Griffin Museum of Photography. "In looking at each photograph the viewer is invited into the natural world to engage in sublime dialogue."

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP