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Posted on May 19, 2015

The Hereditary Estate
Daniel W. Coburn
– August 24, 2015

Reception June 24, 2015 6:30 – 8:30

A woman with a black veil over her eyes.
Daniel W. Coburn
Flowers on a forest floor.

Daniel W. Coburn’s photographs address the tragic events that haunt his family living in the Midwest. Trials involving substance and domestic abuse, suicide and mental illness surface in the imagery as he manifests a narrative from the archive and experiences in his life.

Coburn’s The Hereditary Estate will be featured in the Griffin Museum’s Atelier Gallery at the Stoneham Theatre in Stoneham, MA, June 4-August 23, 2015. It runs parallel to the theater’s productions of “How to Succeed in Business” and “Sisters Summer School Catechism”

A reception is June 24th, 2015, from 6:30-8:30pm. The artist will be present and give an informal talk about the exhibition and the recently published book will be available.

“I collect and manipulate found family photographs in an attempt to amend and correct the idealized narrative present in my own family archive,” says Coburn, “These images are a tangible manifestation of memories and experiences acquired during my journey to adulthood, and function as a supplement to the broken family album assembled by family members.”

“The Hereditary Estate is an honest approach to dealing with severe issues within a family structure. Oftentimes matters likes these are swept under the rug but Coburn embraces the faults and tragedies within his family and acknowledges how they have shaped him,” says Frances Jakubek, Associate Director of the Griffin Museum of Photography. “An avenue of self discovery is uncovered as he repurposes segments of his family’s albums.”

Coburn lives and works in Lawrence, Kansas. Selections from this body of work have been featured in exhibitions at the Los Angeles Center for Digital Art and the Chelsea Museum of Art in New York. Coburn’s prints are held in collections at the Museum of Contemporary Photography (Chicago), the University of New Mexico Art Museum, the Mulvane Art Museum, the Albrecht-Kemper Museum of Art, and the Mariana Kistler-Beach Museum of Art.

His first artist’s monograph, The Hereditary Estate, was published by Kehrer Verlag in 2015. Daniel’s work has been published widely, most recently appearing in the International New York Times. Coburn received his MFA with distinction from the University of New Mexico in 2013. He is currently an Assistant Professor of Photo Media at the University of Kansas.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP