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Posted on January 2, 2014

Prifti: Drawn by Light
David Prifti
– March 2, 2014

Opening reception January 23, 2014 7-8:30 PM
Members talk 6:15 Denyse Murphy

Bird
David Priti
Two halves of different faces
David Priti

In an artist statement Concord resident, David Prifti once wrote that is was his desire to explore his life through the things that shaped his life. These formative elements were his relationships, his memories, his sense of family, rites of passage, aging and death. The creative process that led to all of his photographs was indirectly a very personal journey for him.

Two years ago, David Prifti died at age fifty of pancreatic cancer. He was a dedicated and inspirational photography teacher at Concord-Carlisle High School for twenty-five years. Monika Andersson, Prifti’s widow, recalls that one of David’s famous sayings was “Do something for your art every day!” Andersson recalled Prifti as “vivacious and compassionate”, as “an irrepressible jokester”, “a crazy boisterous guru” and “always busy, and always on the move.” He also had “a quiet depth, and a deep love for life and the people in it.”

An exhibition, culled from a collection of Prifti’s photographic assemblages and wet plate collodion images, Prifti: Drawn by Light, is featured in the Main Gallery of the Griffin Museum January 9 through March 2, 2014. An opening reception is January 23, 7-8:30 p.m.

Of his photographic assemblages Prifti said, “Through the juxtaposition of images, found objects and ephemera, I create autobiographical associations that become symbolic, conveying a sense of personal history and the passage of time.” He also said, “The reusing of old materials allows me to resurrect them into a new form.”

For his wet plate collodion images, some of his first projects were of nature. “He had long been fascinated by trees, and especially those with exposed roots, showing how tenuous life’s hold on survival is,” said Monika Andersson. “He built a darkroom that he could load onto a skiff, and, wearing a set of waders I had bought him at a garage sale, would walk and canoe the river, tugging along the skiff with the darkroom, getting water’s edge access to the many trees along the Assabet river. Some of the trees were fallen; others were with their roots exposed, and gripping onto the edge of the world."

Prifti used wet plate collodion as a vehicle for portraits of his friends, students and acquaintances. He also photographed a community of people who alter their bodies.

Born in Worcester, MA. Prifti received an M.F.A. from Yale University School of Art, New
Haven, CT, and a B.F.A. from Massachusetts College of Art, Boston, MA. He resided and worked in Concord with his wife and two children.

A gallery talk for museum members by Denyse Murphy – whose exhibit Confluence is featured in the Atelier Gallery – is at 6:15 p.m. January 23, prior to the opening reception for all exhibits.

All photographs courtesy of the Prifti Family Estate, Gallery Naga, Boston, MA and Rice Polak Gallery, Provincetown, MA.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP