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Posted on April 5, 2015

Material World
David Welch
– June 5, 2015

Reception April 9, 2015
Jerry Takigawa talk at 6 PM on April 9th

A totem made of plastic trash.
David Welch
Cardboard boxes loaded in a shopping cart.
David Welch

David Welch constructs totems of waste and the accumulations of materials in our contemporary consumer world. The photographs of these monuments “aim to encourage debate about consumption and the ways in which we feel compelled to consume.”

Welch’s series, Material World, is featured in the Atelier Gallery at the Griffin Museum of Photography April 9th through June 5th, 2015. An opening reception will take place on April 9th, 2015 from 7-8:30pm. Jerry Takigawa will lead an artist talk and gallery tour of the Main Gallery exhibition False Food at 6:00pm before the reception. The talk and reception are free and open to the public. The Griffin Museum will be free to all visitors on April 22nd, 2015 in celebration of Earth Day.

“Material World is my response to our contemporary consumer milieu. By treating artifacts of consumer culture as Duchampian-inspired Assisted Readymades, I photograph assemblages, constructed by my own hand to form monuments and totems that serve as precarious externalizations of culture and social biography,” states Welch.

“These photographs of the totems act as symbolic mirrors and points of reflection for my own, as well as society’s, contemplative and critical gaze.”

David Welch is a fine art and editorial photographer based on the island of Martha’s Vineyard. His fine art photography explores social issues, using large-format photography steeped in conceptual influences from art history and economic theory. His project “Material World” has been widely published and exhibited both nationally and abroad.

David was named one of the Magenta Foundation’s Flash Forward winners for 2012 and in 2011 he was selected as one of Photolucida’s Critical Mass top 50 photographers. David is a recent graduate of the Savannah College of Art and Design, where he earned his MFA in photography. He lives on the island with his wife and children.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP