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Posted on August 15, 2020

The Day After Yesterday: Portraits of Dementia
Joe Wallace
September 25 – February 27, 2021

Virtual reception/artist talk January 24, 2021 4 PM
Exhibition extended to February 27, 2021

woman crossing arms
© Joe Wallace
man holding forehead
© Joe Wallace
woman holding chin
© Joe Wallace

man holding face
© Joe Wallace

Statement
In 2020, 50 million people are living with dementia globally. In the United States, one in three seniors suffer with Alzheimer’s or dementia at the time of their death. The US government, through Medicare and Medicaid, will spend approximately $305 billion annually to care for people with Alzheimer’s and dementia. There is an additional $250 billion shouldered by family members and unpaid caregivers. Six million people in the US have been diagnosed with Alzheimer’s or another dementia. It’s estimated that only 1 in 4 people with the disease are diagnosed which means it’s possible that 24 million people in the US are living with dementia.

And yet despite the millions of individuals and families affected, dementia is often a taboo subject with limited public awareness or discourse. A diagnosis can become a mechanism for segregating those affected from society, making it easy to see only the label instead of the individual.

The typical narrative about dementia tends to focus on the clinical diagnosis or medical status of an individual, and is all too often depicted using fear, despair and vulnerability. This narrow and incomplete view of dementia quickly becomes a powerful means to distance oneself from their humanity. By focusing only on the narrowest of views, that narrative does little to change the stigma of those living with the disease. In many ways, showing the stereotypical perspectives only makes it easier to continue ignoring the burgeoning health crisis and the individuals themselves.

The goal of this [body of work] is to de-stigmatize those living with dementia. To use empathy as a means for connection and understanding. To tell a more complex and complete story of those living with the disease and its affect on their families and loved ones.

To give the audience courage to act in ways large and small, you must  show the whole story – the fear, loss and despair, but also the love, connection, dignity, and powerful humanity that always remain – in the subjects, in the care-partners, and in the families and communities. That is the only path to evolve the narrative and have a positive social change.

Bio
Trained as a journalist, Joe Wallace has been a portrait photographer and storyteller for twenty years. Like many, Joe has a deeply personal connection with dementia. His maternal grandfather and hero, Joe Jenkins, had Alzheimer’s. His maternal grandmother Elizabeth Ponder (Bebe) had vascular dementia. And in recent years, his mother Barbara has begun her journey with the disease.

Joe was frustrated by the common, one-dimensional narrative of dementia – futility, despair, and loss. These are real and important elements of the dementia journey, but by focusing only on the narrowest of views, do very little to change the stigma of those living with the disease. In many ways, showing the stereotypical perspectives only makes it easier to continue ignoring the burgeoning health crisis and the individuals themselves.

Joe feels strongly that to give the audience courage to act in ways large and small, you must to show the whole story. The artist must not be afraid to show not only the fear, loss and despair, but also the love, connection, dignity, and powerful humanity that always remain – in the subjects, in the care-partners, and in the families and communities. That is the only path to evolve the narrative and have a positive social change.

Visit Joe Wallace’s website.

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Here’s how to create your Griffin Member Profile

Welcome we are excited to have you and your creativity seen by so many.

1: Log into your membership account
2: To  create a profile you must be logged in and be a supporter or above otherwise you will not see the add a profile button.
3: You can find the Griffin Salon on the Members Drop down in our Main Navigation on the home page or by starting here – https://griffinmuseum.org/griffin-salon/
4: A button that says Create Your Member Profile appears
5: If you are logged in and have already created a profile you also won’t see the add a profile button ( the button launches the form) but you will see an edit and delete icon next to your name and only yours.


6. Fill in your Artist Statement, Bio and upload up to 10 images.
NOTE Sharing your contact information is in your hands. You can select to make your phone and email public or keep it private. 

Once you have updated your information, it sends a ping to museum staff to approve the images and text, and your page will then be listed on the public website. The museum reserves the right to refuse content that is offensive, harmful, or divisive. Images that include graphic, explicit, or politically divisive content will not be approved. Please ensure all submitted images and text are appropriate for a public audience.

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    Amy Rindskopf's Terra Novus

    At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

    This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

    Artistic Purpose/Intent

    Artistic Purpose/Intent

    Tricia Gahagan

     

    Photography has been paramount in my personal path of healing from disease and

    connecting with consciousness. The intention of my work is to overcome the limits of the

    mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

    sight. They are intended to be sat with meditatively, eventually revealing greater truths

    about the world and about one’s self.

     

    John Chervinsky’s photography is a testament to pensive work without simple answers;

    it connects by encouraging discovery and altering perspectives. I see this scholarship

    as a potential to continue his legacy and evolve the boundaries of how photography can

    explore the human condition.

     

    Growing my artistic skill and voice as an emerging photographer is critical, I see this as

    a rare opportunity to strengthen my foundation and transition towards an established

    and influential future. I am thirsty to engage viewers and provide a transformative

    experience through my work. I have been honing my current project and building a plan

    for its complete execution. The incredible Griffin community of mentors and the

    generous funds would be instrumental for its development. I deeply recognize the

    hallmark moment this could be for the introduction of the work. Thank you for providing

    this incredible opportunity for budding visions and artists that know they have something

    greater to share with the world.

    Fran Forman RSVP

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