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Posted on September 3, 2015

Dead 50 Years
Herb Greene
– October 9, 2015

Reception October 1, 2015 6 - 8

The music group The Dead on a street corner.

The music revolution was a vital and integral component of the sixties San Francisco art scene. Herb Greene photographed the rock musicians and other members of San Francisco’s cultural milieu during the height of its creative productivity. Greene, a friend of many of San Francisco’s most influential musicians, worked as few photographers have: not as a documenter from the outside, but as a participant within the music scene he was photographing.

Many of Greene’s photographs have become signature portraits of these musicians. His revealing portraits of The Jefferson Airplane, Jeff Beck, The Pointer Sisters, The Grateful Dead, Janis Joplin, Led Zeppelin, Carlos Santana, Sly Stone, Rod Stewart and many others helped create astonishing family album for an entire generation.

A series of Greene’s photographs featuring the Grateful Dead called “Dead 50 Years,” is featured at the Griffin Museum at Digital Silver Imaging, 9 Brighton St., Belmont, MA, on September 21, 2015 through October 9, 2015. An opening reception will take place October 1, 2015 from 6-8 p.m. There will be live music, very light fare and a wine tasting at the opening reception.

Writer, Matt Nannis writes about Herb Greene and his photos of the Grateful Dead in an essay called “Language of the Dead.” He says, “The collected work of one Herb Greene dances upon.…pages comprised [of] ones and zeroes in such a manifest as never before seen. The emotions, the moments, the good times and the hardships of a storied guild of brothers that put the music and those willing to respond to [music] before all other things. Herb Greene was there when the fellowship was spread across Palo Alto. He was there at the peak when they were at their best and most illustrious. He was there at the beginning when they were their subtlest and unostentatious. He captured the glory that sang from their lips and their instruments.”

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP