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Posted on February 6, 2021

distressed:memories
Lou Jones
September 2 – October 1, 2021

Reception September 12, 2021 4PM

  • violinist in field opens IMAGE file
    © Lou Jones, Boston Photographer, "#22" from the series "distressed: memories"

Statement
distressed:memories is my personal labor to document my internal world, i.e. to investigate those things that I know, I have seen but that do not really exist. Many of the photographs are from my dreams. These potentials for creation are actualized when they enter consciousness as images. Photography allows them to graduate from my fantasy & enter the real world. They may even cross over & maybe reveal shared visions: mythology, fairy tales, religious rituals, universal Jungian archetypes.

Cloaked in the accoutrements of an era long past, distressed:memories is also about time. How time is as much an illusion as dreams. In Newtonian physics, time can only move in one direction. In the mind, time can fluctuate back & forth. These photographs are documents. They are proof. They challenge our concept of history too, by combining two realities: antique authority & futuristic novelty. Society draws from so many myths that those of yesteryear can be compared to new ones that inform popular culture. The ambiguity is primal.

Bio
Lou Jones’ eclectic career has evolved from commercial to the personal. It has spanned every format, film type, artistic movement and technological change. He maintains a studio in Boston, Massachusetts and has photographed for Fortune 500 corporations, international companies and local small businesses including Federal Express, Nike and the Barr Foundation; completed assignments for magazines and publishers all over the world such as Time/Life, National Geographic and Paris Match; initiated long term projects on the civilwars in Central America, death row, Olympics Games and pregnancy; and published multiple books.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

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