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Posted on April 2, 2014

U-turn
Dominic Chavez
– June 1, 2014

Opening reception April 10, 2014 7 -8:30 PM
Members gallery talk 6:15 Brian Alterio

Dried sunflowers in field
Dominic Chavez
Field with dead tree
Dominic Chavez

Dominic Chavez is a freelance photographer based in Boston, Massachusetts, but he has spent much of his career on the road working in some of the world’s most challenging places. Chavez has recorded the effects of war in Colombia, Iraq, Afghanistan, and Angola; the AIDS crisis in more than a dozen countries in Africa; and the battle to eradicate polio in countries in Africa and Asia. In addition, he has covered stories locally and nationally, focusing on the aftermath of 9/11; homeless populations; and those addicted to drugs.

Chavez’s series, U-TURN, is his newest body of work focused on the landscape and is featured in the Main Gallery at the Griffin Museum April 10 through June 8, 2014. An opening reception with the artist is April 10, 7-8:30 p.m.

"I’ve ventured into places too horrible for words, and horrible enough for pictures, such as a lonely forsaken spot along the border of Ethiopia and Eritrea, where tribal cousins fought as is they were in World War I, charging each other on foot, dying by the thousands, bulldozed into piles, and half-buried by dirt," says Dominic Chavez.

"When I was 19, I tried to photograph trees as if they were people. When I examined the frames, I was disappointed,” said Chavez. “As years have passed, it has become trying for me to distance myself from the difficult stories I shoot when I return home to the United States. Almost unconsciously I made a U-turn. I found myself again drawn to places without people," he says. "But this time, when I raised my camera, the scenes came alive. I saw the embrace of trees on Cape Cod, the weeping rocks of an icy cliff in Utah, and the uncertainty on a mountaintop in Maine, where fog obscured the ocean beneath."

"As a photojournalist Chavez unearths a narrative in nature in his series of photographs called U-Turn" says Paula Tognarelli, executive director of the Griffin Museum of Photography."The story he tells is laden with emotion and portrays the strengths and frailties of the landscape."

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP