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Posted on June 8, 2017

Optical Shards
Donna Tramontozzi
June 9 – August 27, 2017

Receptions June 9, 2017 and July 14, 2017

  • Birds in flight at sunset opens IMAGE file
  • Window reflection in greenhouse opens IMAGE file
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    Install @ Colson Gallery of Optical Shards by Donna Tramontozzi

During the rush of everyday life, one forgets about the visual beauty that light creates. Donna Tramontozzi’s photographs are a representation of those moments that disappear.

Optical Shards by Donna Tramontozzi, is featured in the Griffin Museum @ Colson Gallery in Easthampton, MA from June 9, 2017 through August 27, 2017. The gallery is located at 116 Pleasant Street, Easthampton. MA. The exhibit will run with Love Song: Intimate Portraits by Arnold Skolnick that runs through end of June, followed by Eyes of Western Mass. with reception on July 14, 2017 from 6-8 PM.

Tramontozzi says of her work, “When I photograph reflections, I muse on feelings I had forgotten to feel, details I must have missed, dreams I can’t quite recall, conversations I don’t understand, and places I didn’t experience in my rush through life. Just out of reach, but for me, still worth pursuing.”

Currently based in Boston, Tramontozzi has studied at the Santa Fe Photographic workshops and has participated in Atelier 22, 23 and 24 at Griffin Museum of Photography. Her work has also been part of the juried show, Projections! Art on the Brewery Wall, at the Jamaica Plain Open Studios. Her photo has also been featured as the cover of the best selling textbook. Currently, Donna is a corporator on the Griffin Museum Board of Directors.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

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