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Posted on November 17, 2021

Elastic Sidewalk
Diane Bennett
December 9 – January 2, 2022

Reception December 9, 2021

riding horses
© Diane Bennett, “Ponyhenge”

Statement
Street photography for me is an act of meditation, using breath and heightened senses to experience one instant, then another. Reminiscent of the Surrealist concept of “objective chance,” there are times when geometry, light and gesture converge, when street-level reality collides with some broader myth, and the public space stretches into something more. I try to record those moments. I search the real, looking for the really real.

Although my style is more subconscious gestalt than documentary photography, I follow the National Press Photographers Association (NPPA) guidelines – my images are not staged nor are components materially manipulated beyond their in-camera capture. In so doing, I hope to show that the revelations of the street, just as they are, rival and often surpass those of imagination.

Bio
With or without a camera, Diane Bennett often asks herself: Where is the emotion in these surroundings? This long-standing focus informs her photography, which merges street-level reality, broader myth and personal resonance.

Now a Boston-based photographer specializing in black & white street images, Bennett attributes her visual education to living and working in New York City, with its rich diversity, many art institutions and storied history of street photography. With an academic background in theology and psychology and professional experience ranging from social services to software engineering, Bennett’s photographic practice has grown by working with Doton Saguy (Street Photography Masterclass), Emily Belz (Advanced Critique) and Sue Anne Hodges (Digital Printing) and absorbing many years of inspired programming at the Griffin Museum of Photography.

CV
Solo Exhibitions

2022    Elastic Sidewalk Series, Concord Free Public Library Art Gallery, Concord, MA

2021    Elastic Sidewalk Series, Griffin Museum of Photography Griffin Gallery, Winchester, MA

Juried Group Exhibitions

2021    BCA Photo Group, The Library Show, Bedford, MA

Juror Erin Carey, Artist, Educator and Independent Curator, MA

2021    PhotoSC, Surrealism: The Unusual & the Subversive, Columbia, SC

Juror Natalie Dupecher, Curator, The Menil Collection, Houston, TX

2021    Concord Art, 22th Annual Frances N. Roddy Exhibition, Concord, MA

Juror Sam Adams, Curator, deCordova Sculpture Park & Museum, Lincoln, MA

2021    Bromfield Gallery, Streetwise, Virtual Juried Exhibition, Boston, MA

2021    Photographic Resource Center, 25th Annual PRC Exposure Juried Exhibition, Boston, MA

Juror Kris Graves, Artist and Publisher of Kris Graves Projects, NY

2021    Griffin Museum, 27th Juried Exhibition, Winchester, MA

Juror Arnika Dawkins, Owner, Arnika Dawkins Gallery, Atlanta, GA

2020    Griffin Museum, 26th Juried Exhibition, (Virtual) Winchester, MA

Juror Paula Tognarelli, Executive Director, Griffin Museum of Photography

2020    SE Center for Photography, Black, White & More, Greenville, SC

Juror Paula Tognarelli, Executive Director, Griffin Museum of Photography

2019    Cambridge Art Association, 2019 Open Photo Exhibit, Cambridge, MA

Juror Karen Haas, Lane Curator of Photographs, Museum of Fine Arts, Boston

2019    New England School of Photography, Untold Stories Juried Exhibition, Waltham, MA

Juror Emily Belz, Artist/Instructor, Griffin Museum and deCordova Museum, MA

2019    Suffolk University Law School, Public Domain Day Exhibition, Boston, MA

Juror Erin Carey, Academic Director, New England School of Photography

 

View Diane Bennett’s Website.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP