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Posted on April 1, 2013

The Brothers
Elin Høyland
– June 2, 2013

Opening reception April 11, 2013
Amy Arbus Talk April 12, 2013
Members talk with Stephan Sagmiller 6:15 PM April 11, 2013

Two brothers with binoculars
Elin Hoyland
Two brothers on a bed
Elin Hoyland

When Norwegian photographer Elin Hoyland heard about two reclusive, elderly brothers living together in rural Norway she knew she wanted to collaborate with them on a project about their lives.

A series of her photographs, The Brothers, is featured in the Atelier Gallery at the Griffin Museum April 9 through June 2. An opening reception is April 11, 7-8:30 p.m.

Harald, then 75, and Mathias Ramen, 80, had always shared a house on the small farm where they were born. Neither married.

In addition to running their own farm, they had worked as loggers and carpenters on other local farms.

Harald spent one night in a hotel in Lillehammer, which he called the worst night of his life. Mathias tried working in Oslo for two months, but didn’t like it.

The brothers’ days on the farm provided a predictable and comforting routine. They cut, carried, and burned wood to heat their house. They fed wild birds in some 20 birdhouses. They listened to the radio and read the newspaper.

Harald died from as asthma attack while shoveling snow in frigid temperatures. Mathias continued to live in the house until moving to a home for the elderly.

Hoyland then went back and photographed the empty house. Mathias died in 2007.

"The brothers’ way of life has now almost entirely disappeared in modern Norway," she says.

A book of Hoyland’s work, The Brothers, was published by Dewi Lewis Publishing in the United Kingdom.

Hoyland has freelanced as a photographer for several major newspapers and her work has been exhibited in the UK, Scandinavia, France, and China.

A gallery talk for museum members by Stephan Sagmiller – whose exhibit The Clouds: Experiments in Perception is featured in the Griffin Gallery – is at 6:15 p.m. April 11, prior to the opening reception for all exhibits.

A book The Brothers by Elin Hoyland, published by www.dewilewispublishing.com with an essay by Gerry Badger will be distributed to each attendee to the exhibition reception courtesy of Statoil.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP