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Posted on January 12, 2017

Work assemble from Positive/Negative, Making Tracks, At the Horizon, and 40 Moons
Elizabeth Stone
January 12 – March 6, 2017
Abstract image
Snow tracks
Horizon

Abstract image
Abstract image
Horizon on water

Abstract image
Abstract image
Snow tracks

Horizon
Snow tracks
Snow tracks

Snow tracks
Horizon
abstract image

Snow tracks
abstract image
abstract image

Critic Statement

Elizabeth Stone’s imagery is a pursuit of observation, reflection and wonder. Diligent and patient she courageously lets her work lead her through discovery to understanding. We are the beneficiaries of her keen insights and meticulous unearthing of inscriptions in plain sight as she lends her viewer a breath-taking glimpse into the magnitude of the order of things. Like a Mary Oliver poem, an image composed by Stone, holds sacred secrets, a loving awareness of the infinity of the natural world and all creatures that move upon it. Stone reflects our place in the wild awe of it all.

The following compilation features work from four separate series; Positive/Negative, Making Tracks, At the Horizon,  and 40 Moons. Each full series is available to view at  http://www.elizabethstone.com.

Artist Bio

Elizabeth Stone is a Montana based visual artist whose work explores perception and mark making by combining her study of photography and drawing with biology and digital technology. The duality of art and science is a strong influence and she frequently looks to the natural environment as a point of departure when considering her own place  in the world and the marks she makes. Influenced by artists as diverse as Harry Callahan, Cy Twombly and Agnes Martin, she uses a strict practice to push what  is expected of the photographic medium.

Elizabeth’s studies of place and passage of time typically extends for years before she produces a

portfolio of limited edition prints. She is grateful for the many artist in residence fellowships that she has been awarded which provide her with concentrated focus for creating original work while engaging in stimulating intellectual dialog with other artists.

Critic Bio

Sybylla Smith is an independent curator, educator and consultant of fine art photography. Smith has curated over 25 solo and group exhibitions featuring work by 75 international photographers in exhibitions in Boston, New York, Mexico, and Columbia. As an adjunct professor, guest lecturer and thesis advisor Smith has taught at Emmanuel College, Hofstra University, Wellesley College, Snow College, Harvard University, School of the Museum of Fine Arts/Tufts and School of Visual Arts/New York. She teaches a unique curriculum focused on creativity and concept development for photographers. As a consultant to arts and educational organizations Smith recently worked with Lesley University College of Art and Design on developing and implementing event and educational programming for Irving Penn: Beyond Beauty, a traveling exhibition of 148 images originating from the Smithsonian Museum of American Art. Smith collaborates with individual photographers to edit, sequence and write about their work.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP