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Posted on March 6, 2013

A Dancer in Her Studio 1986-2011
Ellen Feldman
– May 20, 2013

Opening reception March 12, 2013 6:00 – 7:00.

Ellen Feldman is a fine arts photographer whose on-going emphasis is spontaneity. This is reflected in her street photography and her long-term project photographing a dancer.

A series of her images, A Dancer in Her Studio 1986 – 2011, is featured at The Griffin Museum at the Cambridge Homes, 360 Mount Auburn Street, Cambridge, MA, March 5 through May 20. An opening reception with the artist is March 12, 6-7 p.m.

“Nicole Pierce, modern dancer and choreographer extraordinaire, has been a favorite subject of mine for over 10 years,” says Feldman. “I photograph her on Sunday mornings every few months – sometimes more frequently.

“I’m free to shoot while Nicole puts together her weekly dance class at Greene Street Studios in Cambridge. She doesn’t stop to pose for me, so in a sense my process is the same as when I am photographing in city streets, “ Feldman adds. “I like the spontaneity of the ever-changing present, never quite sure what the next instant will bring.”

All the photos in the exhibit are black and white digital prints, originally from negatives, slides, or a digital source.

Feldman, of Cambridge, MA, has studied photography at the Maine Photographic Workshops, Fine Arts Work Center of Provincetown, and the Photography Atelier, Lesley University. She holds a bachelor’s degree in music from Barnard College and a Ph.D. in Cinema Studies from New York University.

Feldman is the photography editor of the Women’s Review of Books, a monthly journal published by Wellesley College, and a member of the Cambridge Art Association, and ‘soupgroup,’ an ongoing collaboration and critique group.

She is also a film scholar. Her paper, The Conversation: A Study in Surveillance, was awarded third place in the 2006 National Paper Prize Competition sponsored by the University Film and Video Association

Feldman’s recent work includes photographing toy characters in urban settings. She also has three self-published books, Les Mysteres de Paris/Paris Mysteries, A Week in Prague: Wall People /Street People; and The Dancer as the Invisible Girl.

The public is welcome to view the exhibit Monday through Sunday from 11 a.m. to 4 p.m. Please check in with the receptionist.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP