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Posted on December 26, 2018

Flora
Marcy Palmer
April 11 – June 2, 2019

Reception April 11, 2019 7 PM
Gallery talk by Paula Riff on April 11, 2019 at 6:15 PM

Flowers on gold leaf
© Marcy Palmer, “Carduus Nutans Sways”, 24k gold leaf gilded vellum with archival UV varnish and wax, 2018
Gold wildflowers on black
© Marcy Palmer, “Windblown Wildflowers, “24k gold leaf gilded vellum with archival UV varnish and wax, 2018
Leaves on gold leaf
© Marcy Palmer, “Dancing Leaves”, 24k gold leaf gilded vellum with archival UV varnish and wax, 2018

Statement
Under the umbrella of the Griffin Museum’s overarching topic of “Down Garden Paths,” Palmer’s Flora is an exploration of beauty as an antidote for personal and political crisis. Writer and philosopher John O’Donohue states, “I think that beauty is not a luxury, but that it ennobles the heart and reminds us of the infinity that is within us.”  That idea resonates with me and inspired this project.  The images are made from plants and flowers gathered during walks in my neighborhood or in my backyard, which are photographed, printed on vellum, and hand applied gold leaf, varnish, and wax to the prints to create the final images.  The project takes reference from Anna Atkins’s botanical studies as well as surrealist photographers who manipulated imagery and materials.

The Flora images are archival inkjet vellum prints with either 24k or 18k gold leaf applied to the back of the print by hand.  The print is then varnished with an archival UV varnish and a wax is applied to the front of the prints.

Bio
Marcy Palmer’s work has been exhibited both nationally and internationally at The Center for Photographic Art (Carmel, CA), The Griffin Museum of Photography, The Ogden Museum of Southern Art, The Berlin Biennial of Fine Art and Documentary Photography (GE), The Brighton Photo Fringe Festival (UK), The Brooklyn Museum of Art, The Center for Fine Art Photography, The Photomedia Center, The Watershed Media Centre (UK), Center on Contemporary Art in Seattle, WA, and other venues.  Marcy’s work won Gold in the Fine Art, Abstract category of the PX3, Prix de la Photographie, Paris 2016 awards. Her work was also a finalist in the Fine Art Category for the 7th Edition of the Julia M Cameron Awards.   Marcy has an MFA in Photography & Related Media from the School of Visual Arts and a BS in Studio Art from Skidmore College.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP