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Posted on December 8, 2016

Ghosts Who Now Dance
Sandy Alpert and Arthur Griffin
December 11 – March 5, 2017

An opening reception will be held on Thursday, December 15th, 2016 from 6:00-8:00

Arthur Griffin's photograph of crowds.
Arthur Griffin
Crowd of people

Sandy Alpert’s photographs resemble detached figures, ghostly shadows within shadows that represent her own ghosts from the past. These beautiful figures created by negative space and light are visually similar to the long shadows dancing across the frames captured by our very own founder, Arthur Griffin.
Sandy Alpert’s, Ghosts Who Now Dance, will be featured in the Griffin Museum at Colson Gallery in Easthampton, MA, December 11 through January 15, 2016. Alongside Alpert’s work, three of Arthur Griffin’s pieces will be exhibited. An opening reception will be held on Thursday, December 15th, 2016 from 6:00-8:00 PM at Colson Gallery, Ste. 246 Eastworks, 116 Pleasant Street, Easthampton, MA 01027.

“When I began this project in 1998, I was haunted by the ghosts of my past, Feelings of isolation and loss infused these images. I was too close to it. It was too close to me. I had to leave it—unexpressed,” says Sandy Alpert. “As I now reflect upon these images, I see a sense of grace. I see fluidity. I see a silent rhythm. I see ghosts who now dance. The realization of this work is, in itself, an act of forgiveness. Forgiveness of others and of myself,” she goes on to say.

Sandy Alpert is an award-winning photographer and composer. Her photographs have been exhibited in many national and international; galleries, and are in many public and private collections including The Museum of the City of New York and the International Center of Photography School/ Education Gallery Collection, NYC. Her scores for musical theater productions have been produced off-Broadway.

By mid 1930s, Arthur Griffin became the exclusive photographer for the newly created Boston Globe, Rotogravure Magazine and the New England photojournalist for Life and Time Magazines. He went on to become a pioneer in the use of color film and provided the first color photographs to appear in the Saturday Evening Post—a two-page layout on New England. One of Arthur’s biggest gifts to photography was the non-profit Arthur Griffin Center for Photographic Art, or as it is now call, The Griffin Museum of Photography. The Griffin Museum houses his archives of over 75,000 images and provides gallery space for rotating exhibitions devoted to the art of photography.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP