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Posted on April 3, 2009

Hand to Hand
Zeva Oelbaum
September 10 – November 1, 2009

Reception Sept. 16

calligraphy
calligraphy
calligraphy

August 30, 2009  (Winchester, MA) With paper a rare and expensive commodity in the 19th century, books’ endpapers were often used as note pads to practice spelling, jot down lists, and record purchases.

As a girl, Zeva Oelbaum was fascinated with the Hebrew books in her family’s basement and the scribbles and markings she found in the endpapers.

Years later, as a photographer interested in found objects, she revisited her childhood preoccupation. Manipulating imagery from her family’s books and others from the Jewish community, she created a body of work that transforms markings in several languages – Latin, Russian, German, Polish, Aramaic, and Yiddish — into a coherent visual story.

Her series of photographs, Hand to Hand, is featured in the Atelier Gallery of the Griffin Museum September 10 through November 1. An opening reception is September 16. The exhibit is courtesy of the Hirschl + Adler Modern, NY.

“These orphaned tomes connected me to a time and place far beyond my Missouri upbringing,’’ Oelbaum says of her family’s books. “I imagined how they had traveled from hand to hand for centuries, like portable identities.’’

The photographs, which are toned gelatin silver prints, are intended to give the viewer a sense of scanning over a page; some are presented as diptychs and some as triptychs.

Oelbaum’s aim is to immortalize the inherent lyricism in a word, a scribble, and an inkblot. Composed of positive and negative images, the photographs can also be viewed as metaphors for life and death.

A New York-based photographer, Oelbaum has work included in numerous private and public collections, including the Museum of the City of New York, Brooklyn Museum, Museum of Jewish Heritage, National Museum of the American Indian, and the Polaroid Collection, as well as the Bibliotheque Nationale de France.

She graduated summa cum laude from Brandeis University in Waltham, MA, in 1977 with a degree in anthropology.  She teaches at the International Center of Photography in New York and is the author of two books on photography.

Courtesy of Hirschl + Adler Modern NY

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP