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Posted on December 17, 2019

Haven't We Met?
Various Artists
December 5 – May 7, 2020

Curated by Ben Carroll

A bird flying in the middle of a red body of water surround by leafless trees.
© Evan Perkins
A bush of leaves
© Evan Perkins
A passing cloud and a background of stars
© Evan Perkins

A young woman sitting on ground, leaning against a tree
© Caterina Maina
Foggy evening landscape of trees afar
© Caterina Maina
abstract of something yellow
© Caterina Maina

the back of someone's head, a close up of woman's long hair
© Tavon Taylor
Man lays on the grass and rests his head on a boulder
© Tavon Taylor
a photograph of a man behind leaves and branches
© Tavon Taylor

A man blowing out smoke from his nose while wearing a robotic head ware
© Ross Kiah
couples dancing across snowy grounds
© Ronghao Zhang
a horse head scaring away pigeons
© Ronghao Zhang

abstract of snow and part of a pole
© Ronghao Zhang
a man with a snake resting around his neck
© Alexa Cushing
the side of a house with one lit window. There is a large plants that creates a shadow on the house.
© Alexa Cushing

A young girl leans a reflective surface
© Amy Fink
An older woman holds a cat
© Amy Fink
A close up of a hand and their wrinkles
© Jaclyn Lowe

abstract body shape focusing on the body hair
© Jaclyn Lowe
Abstract of two red lights jumping out from the ground
© Harlan Crichton
The front of a barn looking structure with the shadow of a large head covering the front
© Harlan Crichton

A dar landscape with a bright light beaming through the middle
© Harlan Crichton
A broken down miniature house structure
© Kendall Pestana
A destroyed miniature bedroom
© Kendall Pestana

A miniature dining room with a set table
© Kendall Pestana
man wearing glasses on an old fashioned tv
© Kevin Moore
Looking through a window there is a man on the phone and washing dishes
© Kendall Pestana

A man cutting a cake
© Kendall Pestana
a portrait of a young man with a comb covering his left eye and gripping through his hair.
© Vanessa Leroy
double exposure of a figure of a woman and dirt.
© Vanessa Leroy

Curator’s Statement:

Haven’t We Met?

These photographs possess a dreamlike, other-worldly sensibility. In dreams, where they begin and end, and what takes place, is often imperceptible. There is an element of peculiarity and also beauty. But as in dreams, and in waking life, circumstances and people shift, appear and disappear in an instant.

We don’t know these people or places, though they could easily be characters who play in any of our lives. Some of the realities are found, some are constructed. The ambiguous nature of the photographs makes them unrecognizable or foreign, but in many ways there is a relatability that implies we may have all been in these places with these figures before.

The more specific imagery is peppered with slivers of moments and action invoking fear, nostalgia, thoughts around memory, and an alternate world that the human mind may be incapable of interpreting.

Including the work of: Harlan Crichton, Alexa Cushing, Amy Fink, Ross Kiah, Vanessa Leroy, Jaclyn Lowe, Caterina Maina, Kevin Moore, Evan Perkins, Kendall Pestana, Tavon Taylor, and Ronghao Zhang.

By Ben Carroll, Curator

This online exhibition was featured on our Instagram, @GriffinMuseum.

 

Ben Carroll is a photographer based in Boston. He is the recipient of a residency from Arteles Creative Center in Hämeenkyrö, Finland where he will spend the month of January. Rooted in ideas of perception, memory and emotionality, Ben’s work centers on domestic life with his husband of 17 years and the impact of mental illness. He was a finalist for the City of Boston’s Fay Chandler Emerging Artist Award, and received the Jury’s Choice Award at the Small Stones Festival of the Arts in Grafton, MA. In 2020, Ben will earn his B.F.A. in photography from Massachusetts College of Art and Design in Boston.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP