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Posted on July 15, 2014

Her
Marjorie Salvaterra
July 10 – August 31, 2014

Opening reception July 10, 2014 7-8:30 PM RSVP required
Gallery talk 5:30 with Aline Smithson. Members Free. Nonmembers $7.00

Group of women in water
Marjorie Salvaterra
Three women in water throwing umbrellas in the air
Marjorie Salvaterra
Two women in a field of flowers
Marjorie Salvaterra

Marjorie Salvaterra is a fine art photographer who according to Aline Smithson of Lenscratch “examines the journey of a woman as wife, mother, and person of the world.” Her images reveal “a fine line between sanity and insanity,” according to Virginia Heckart, Associate Curator of Photography at The Getty Center.

Salvaterra’s series, Her, is featured in the Griffin Gallery at the Griffin Museum July 10 through August 31, 2014. An opening reception with the artist is July 10, 7-8:30 p.m.

Ms. Salvaterra says that she takes inspiration from her own life in her photographs. “I try hard to do the best I can in all the roles of my life,” she says. “Sometimes on a certain day or a certain time of day, I am less than successful. My greatest achievement is as wife and mother of two.” She makes her home in Los Angeles, California.

“Marjorie remains for me a compelling new photographer,” says Kathleen Clark of the Eyeist. “She is capable of both poignancy and a buoyant sense of the absurd.”

A gallery talk by Aline Smithson will take place at 5:30 p.m. on July 10, 2014, prior to the opening reception for all exhibits. Members are free. Nonmembers $7. The reception is free to all.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP