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Posted on February 21, 2021

Historias fragmentadas
Claudia Ruiz Gustafson
April 1 – May 23, 2021

Artist talk/Reception April 8, 2021 7 PM Eastern

threaded generations
© Claudia Ruiz Gustafson, “Lazos de sangre”
pop sticks
© Claudia Ruiz Gustafson, “Los que se fueron”
yarn circles
© Claudia Ruiz Gustafson, “Mi abuelo y yo”

Statement
For those without roots in a place, memory is essential to maintain a sense of continuity in life. Isabel Allende

Historias fragmentadas is a visual journal that I created over the course of five years. It was fueled by a sentiment of longing and nostalgia after the death of my grandmother, the family story keeper in 2015. This event brought me to look deeper into my past; to explore the paradox of memory and the emotion of loss as a way to reconnect with my Peruvian roots and honor those who came before me.

In this series, I create digital photo collages that unsettle the images of the past in a way that allows me to look through the cracks. By tearing, juxtaposing and layering archival family photographs, fragments from my journals, and objects from my childhood, I have shed light on a personal story within an ancestral story that spans generations. I also use staged imagery, mostly self-portraits, to explore moments in my life where I have inhabited liminal spaces, moments of transition and experiences of displacement, both physical and psychological.

This work tells the story of a particular middle-class Peruvian family through my own lens. I have chosen, with these images and writings, to release the voices and the haunting self-discovery that happened when I explored the stories behind iconic family photographs and their legends through my own personal mythology. – CRG

Bio
Claudia Ruiz Gustafson is a Peruvian visual artist based in Massachusetts whose practice engages photography, assemblage, poetry and artist book making. Her work is mainly autobiographical and self-reflective; her cross-cultural experience and Peruvian heritage deeply inform her art making. Claudia’s latest projects explore the stories of her Peruvian ancestors and aspects of her immigrant and liminal experiences.

Claudia has exhibited in museums and galleries across the US and abroad at venues including Danforth Art Museum, Griffin Museum of Photography, Newport Art Museum, Photographic Resource Center, Agora Gallery, Millepiani Gallery and Galleria Valid Foto. She is a 2020 Critical Mass 200 Finalist and 2020 Photo LA Top 20 Finalist.

Claudia has received grants and awards from the Massachusetts Cultural Council, the Cambridge Art Association, L.A. Photo Curator: Global Photography Awards, PX3 de la Photographie Paris, The Gala Awards, among others and her work has been published in Fraction Media, Black & White Magazine, F-Stop Magazine, Float Photo Magazine, Aspect Initiative and Lenscratch.

Currently she is curator and participating artist of the traveling exhibition Crossing Cultures: Family, Memory and Displacement, a multi-media project made up of artwork created by multi-cultural artists reflecting on identity and diaspora.

She holds a BA in Communications from Universidad de Lima, and a Professional Photography Certificate from Kodak Interamericana de Perú.

View Claudia’s website.

View Mark Feeney’s review in the Boston Globe.

View What Will You Remember’s Review.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP