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Posted on November 1, 2019

Image of Structure
Joshua Sariñana
December 10 – January 3, 2020

Reception December 12, 2019 7-8:30 PM
Gallery talk December 12, 2019 at 6:15 PM with Joshua Sariñana

A dark mysterious building on MIT camus
A different view of the mysteries Strata building.
Front view of the building on MIT campus.

Artist Statement
The Stata Center at the Massachusetts Institute of Technology is a monumental building, saturated with colors, that juts out in every direction. By capturing the structure in monochrome, I deconstructed this architectural work, flattened it, and transformed it into a graphical form. My aim is to pull the viewer into a surreal, disembodied space, without completely breaking from rational observation. This work was born out of a radical shift in my perception and emotion as I conducted my neuroscientific research at the Institute, where I had a direct view of the Stata Center.

As a researcher, I entered the laboratory to create theories about consciousness and to pursue truth through reasoning and scientific evidence. The longer I was at MIT, the more I came to understand the overwhelming, and unattainable, expectation to solve impossible problems and create knowledge that bends the historical arc of science. I witnessed ways that people – friends and colleagues – engaged in self-destructive behavior because of this pressure. As I honed my research skills, I grew disquieted as the secure sense of belief in rational thought and empirical evidence began to unravel. Like many others, I was left dysregulated, fragmented, and without a sense of direction. I intend for these images to represent this dis-ease.

Bio
Joshua Sariñana, PhD, took an interest in photography as his passion in the brain and mind started to develop. As he studied neuroscience at UCLA, MIT and Harvard, Sariñana began to switch his focus to the practice and theoretical study of photography.

He has exhibited nationally and internationally, including at the Griffin Museum of Photography, Panopticon Gallery, Aperture Gallery and has shown at the Month of Photography Los Angeles, and Photoville.
Sariñana is a two-time Critical Mass Top 200 Finalist. His work has been recognized by the Sony World Photography Awards, American Photography, and LensCulture. Sariñana has published his photography in several periodicals, including PDN, Black & White, Silvershotz, and SHOTS Magazines and has been featured on Time, CNN, and an iPhone commercial. He twice received the Council for the Arts Grant at MIT.

He has published several articles on the intersection of photography and neuroscience for PetaPixel, Don’t Take Pictures, and The Smart View. He has also given talks on neuroscience and photography at Trinity College, Dublin, Northeastern University, Flashpoint Boston, and the Griffin Museum of Photography. Sariñana currently resides in Cambridge, MA.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP