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Posted on October 2, 2013

The Burn
Jane Fulton Alt
– December 8, 2013

Opening reception Oct 10, 2013, 7 - 8:30 PM
Gallery talk Jane Fulton Alt 6:15
Gallery talk Adam Magyar 5 PM

Smoke in a forest burn
A burn with smoke

"The elements of the burn—the mysterious luminosity, the smoke that both obscures and reveals—suggest a liminal space, a zone of ambiguity where destruction merges with renewal."

Jane Fulton Alt photographs controlled prairie burns."A controlled burn is deliberately set; its violent, destructive force reduces invasive vegetation so that native plants can continue to prosper," says Alt.

Her series of photographs, The Burn, is featured in the Atelier Gallery of the Griffin Museum October 3, 2013 through December 8, 2013. A reception with the artist is October 10, 2013 at 7pm.

In 2007, Fulton Alt began this series after witnessing her first controlled burn. She says, "I was immediately struck by the burn’s visual and expressive potential, as well as the way it evoked themes that are at the core of my photographic work."

She continues, "These images of regenerative destruction have a personal significance—I photographed my first burn at the same time my sister began a course of chemotherapy—yet they constitute a universal metaphor: the moment when life and death are not contradictory but are perceived as a single process to be embraced as a whole."

Jane Fulton Alt is a fine art photographer based in the Chicago area. Numerous awards include Photolucida’s Critical Mass Award and the Humble Arts 31 Women in Art Photography.

She has published Look and Leave: Photographs and Stories of New Orleans’s Lower Ninth Ward about the aftermath of Katrina in 2009. Alt’s work is in numerous permanent collections, including the Museum of Fine Arts in Houston, Smithsonian National Museum of American History, New Orleans Museum of Art, De Paul; Center for Photography, Woodstock.

Prior to the public reception, at 6:15 p.m., Jane Fulton Alt will give a informal gallery talk to members about her series, The Burn, featured in the Atelier Gallery of the Griffin Museum of Photography.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP