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Posted on April 3, 2015

Escape Velocity
Jay Gould
– June 5, 2015

June 4, 2015 reception 6 – 8 PM

A man sitting on his trunk of a car with a rocket.
Jay Gould
A man standing on a hillside with a rocket.
Jay Gould

Jay Gould’s work integrates scientific topics into installation and constructed photographic projects. With “Escape Velocity” Gould has been photographing the tight-knit community of model rocketry enthusiasts. “Drive a good hour outside of nearly every American metropolitan area on a sunny Saturday morning and you may see small chutes of smoke lingering in the sky,” says Jay Gould. “If you are like me, you have even curiously traced these trails from time to time.”

A series of Gould’s photographs called “Escape Velocity,” is featured at the Griffin Museum at Digital Silver Imaging, 9 Brighton St., Belmont, MA, on March 26, 2015 through June 5, 2015. A closing reception will take place June 4, 2015 from 6-8 p.m.

“Many of these explorers are taking their first steps into hands-on science,” says Gould. “These less experienced members are guided by an entire community, in which many members have careers in aerospace.”

“Who hasn’t dreamed of conquering new frontiers,” says Paula Tognarelli executive director of the Griffin Museum of Photography. “It’s the desire to fly and the drive to know what lies beyond that spurs on these rocket explorers. Without curiosity many of us would still be huddled in a European township wondering of what cheese the moon was made.”

Jay Gould is an artist and a member of the faculty at the Maryland Institute College of Art (MICA). Originally from Minneapolis, Minnesota, Gould received his BFA in photography from the University of Wisconsin and his MFA from the Savanna College of Art and Design. His work has won numerous national awards, such as the Berenice Abbott Prize for an emerging photographer, the Jeannie Pierce Award, and First Place at the Newspace Center for Photography’s International Juried Exhibition. _Gould’s work is widely exhibited around the country making solo and group show appearances at the Fridman Gallery in NYC, the University of Notre Dame, The Julia Dean Gallery in Los Angeles, the Fort Collins Museum of Contemporary Art, he Urban Institute for Contemporary Arts in Grand Rapids, Michigan, the Griffin Museum of Photography and the Center for Maine Contemporary Art. Gould is also a longtime member of the faculty at the Maine Media Workshops and is currently serving as the Chair of the Society for Photographic Education’s Mid Atlantic Region.

The exhibit is open to the public Mondays through Fridays, 9:30 a.m. to 5:30 p.m.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP