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Posted on July 27, 2018

The Space Between
Jennifer Shaw
September 11 – October 5, 2018

Reception September 16, 2018 from 5:30 PM - 7:30 PM
Jennifer Shaw will do a talk September 16, 2018 at 4 PM - 5:30 PM

Young boy with stickers on him
© Jennifer Shaw

I am photographing my life. It is as simple and complex as that. Presently, my life is overrun by exquisite little creatures known as children. As they explore the elements with carefree abandon, I observe with camera poised, balanced between protection and permission. – JS

I work from a place of intuition, capturing the action as it unfolds and stealing sidelong glances at the details of our environments. The images are juxtaposed to create an introspective narrative, mining the richly ambiguous state of parenthood, akin to the murky realm between a river’s glittering surface and its hidden undercurrents. Through the camera’s lens I am transported, traversing the spaces between shadow and light, dreams and reality, delight and disquiet.

Bio
Jennifer Shaw is a fine art photographer whose work is based on both a world observed and a world constructed, often focusing on the fleeting and personal within the sphere of her immediate surroundings. She grew up in Milwaukee, Wisconsin and earned a BFA in photography at the Rhode Island School of Design. Upon graduation she moved to New Orleans in pursuit of the artist’s life, where she currently teaches the disappearing art of darkroom photography at the Louise S. McGehee School and serves as creative director of PhotoNOLA, in addition to chasing after two young sons.

Shaw’s photographs have been featured in B&W, American Photo, Shots, Light Leaks, The Sun, and Oxford American magazines, and online publications including NPR, Fraction Magazine, One One Thousand and Lenscratch. Her first monograph, Hurricane Story (Chin Music Press), was named a best photo book of 2011 by photo-eye and Brain Pickings. North Light Press published her second monograph, Nature/Nurture, in 2012. Shaw’s work is exhibited widely and held in collections, including the New Orleans Museum of Art, the Ogden Museum of Southern Art, and the Museum of Fine Arts Houston.

website

Review on “What Will You Remember” by Suzanne Révy

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP