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Posted on April 5, 2015

Human Debris
Jeremy Underwood
– June 5, 2015

Reception April 9, 2015
Jerry Takigawa Gallery talk at 6 PM on April 9th

A sculpture that looks like a dead tree made of wooden boards.
Jeremy Underwood
A sculpture by the sea made of plastic bottles. Lit by rising sun.
Jeremy Underwood

Jeremy Underwood’s photographs are a commentary on what humans leave in the natural landscape. The work aims to challenge viewers to “reflect upon our consumer culture, the relationship we have with our environment and the pervasion of pollution.”

Underwood’s series, Human Debris, is featured in the Griffin Gallery at the Griffin Museum of Photography April 9th through June 5th, 2015. An opening reception will take place on April 9th, 2015 from 7-8:30pm. Jerry Takigawa will lead an artist talk and gallery tour of the Main Gallery exhibition False Food at 6:00pm before the reception. The talk and reception are free and open to the public. The Griffin Museum will be free to all visitors on April 22nd, 2015 in celebration of Earth Day.

“The project spotlights the environmental condition of Houston’s waterways through the building of site-specific sculptures assembled out of harvested debris collected from the beach,” says Underwood, “Each found material lends itself to a new creation, encompassing the former life of the debris into each sculpture. These objects are simply artifacts to support the work, photographed in interaction with the landscape, then left to be discovered.”

By creating photographs of his sculptures, he invites the community to interact with this project on multiple levels. The pieces he creates continue on as public art within the environment that the debris was found; the conversation about consumer culture and waste then continues in the context of a gallery space. According to Underwood,“ My work embodies our complicated relationship with the environment and the contemporary landscape, focusing on the tension between nature and culture shaping these physical spaces.”

Jeremy received his MFA from the University of Houston and BS from the University of Central Missouri in addition to study at the University of Central Lancashire in England. Underwood has been published in Photo District News and named an emerging talent by Lens Culture magazine. He has received a number of grants and fellowships from such institutions as the Society for Photographic Education, the University of Houston and the Cynthia Woods Mitchell Center for the Arts. Recent exhibitions include the Houston Center for Photography, Fotofest and the Philadelphia Photo Arts Center and has been awarded residency at Yaddo. His recent research project entails collaboration with the Colorado Art Ranch, Aldo Leopold Wilderness Research Institute, and the US Fish and Wildlife, exploring wilderness stewardship along Massachusetts’s marine and coastal region.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP