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Posted on January 9, 2013

And Again: Photographs from the Harvard Forest
John Hirsch
– March 24, 2013

Opening Reception Feb 21, 2013, 6 – 8 PM

  • A man measures data in forest
    John Hirsch
    John Hirsch
  • A forest worker examines dirt
    John Hirsch

A psychology major turned photographer and educator, John Hirsch urges viewers of his work to probe and reflect on the ideas of community, recreation, and land use in America.

A series of his images, And Again: Photographs from the Harvard Forest, is featured at the Griffin Museum at Digital Silver Imaging, 9 Brighton St., Belmont, MA, January 18 through March 24. A reception with the artist is February 21, 6-8 p.m.

The subject of his photographs is a research forest that has been owned and operated by Harvard University since 1907.

“The forest offers a place where times passage is more consciously studied than almost anywhere else on the planet,” Hirsch says. “A place where technology and nature are so viscerally and overtly entwined that cables and wires emerge from the ground and descend from the sky, where trees are wrapped in plastic and metal, and the growth and movements of all things are tracked with unending precision.”

Hirsch says that like the work scientists do in the forest, his images “seek to find a balance between description and intervention.”
He adds, “This work is about a desire to understand, describe, and predict the evolutions of our surroundings while showing reverence for the sublime moments in a place.”

Hirsch, of Roslindale, MA, received a certificate in photography from the Maine Photographic Workshop in 2002. He has taught workshops in Maine and Boston and is now teaching photography at Noble & Greenough School in Dedham, MA.

The Griffin satellite gallery, which had been at 4 Clarendon St. in Boston’s South End, has moved back to its renovated and expanded space in Belmont.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

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