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Posted on October 22, 2014

South Beach
John 0. Roy
–
A man dressed as Santa asleep on a porch.
John O. Roy
Two men and one women looking at a cell phone. One man has a horse mask on.
John O. Roy
A woman walking down the street with a tutu on.
John O. Roy

A boy eating dinner with a skull mask on.
John O. Roy
A man eating dinner with a mask on that looks like the clown from Stephen King's "It."
John O. Roy
A woman dressed as an angel with wings in a store.
John O. Roy

A boy who works in a food establishment behind the tiled counter.
John O. Roy
A man walking down the street with a white mask and hat.
John O. Roy
A man with an apron on, walking down the street carrying a box.
John O. Roy

A woman with short pants riding a motorcycle down the street with a backpack on her back.
John O. Roy
A man in a superhero costume is stopped on a motorcycle.
John O. Roy
A woman dressed as the scarecrow from wizard of ox stands in front of a car with spider webs on it and next to a man in a suit and hat.
John O. Roy

For me, photography is the greatest form of self expression. It communicates with my soul; a kind of a “catharsis scream”. This offers me a mental release from my professional career. After using my left brain all day, it is nice to use my right brain to create something meaningful. This brings a yin and yang to my life.

When I pick up my camera after work, I prefer to shoot inanimate objects. Using light, shadows and selective focus, I am attempting to give the objects a life force; allowing them to tell a story. Because of this, I sometimes tend to become lost in my perception of light and shadows. It allows me to constantly visualize different angles and perspectives of spaces and even people around me.

When I photograph people, I am drawn to capturing them in communal areas. I usually try and catch people off guard to create a pensive state of being which is a window into their souls. You would be surprised how much people tend to let their guard down and become relaxed when they think no one is watching. (Ever notice how differently children behave when they know they are being watched?)

I’ve come to this place of artistic expression after experimenting with several other approaches to photography. I finally listened to an art director and a close friend of mine and I redirected my work to reflect my own true artistic expression.

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    • Receptions
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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP