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Posted on December 18, 2013

Stalking Michael Stipe: Another Prop to Occupy My Time
Jon Horvath
–

Critic Greer Muldowney

A painting of a dog on a wall
an open road with stripe in middle of road
A cloud in sky with tree

A sidewalk in front of store with telephone pole.
A viewfinder of trees and histogram
a mannakin's feet on dirt

a tv antenna on roof of a train
woods
a crack in the sidewalk with a sticker

words on a page
an alley at night
white text on a black field with the word manner.

white text on a black field with the word silent
a white cloth on a railing in front of woods
woods

2 people on stage
in an ominous text
refrigerator in store

Car parked by drain
progress text
to text

Aereal view

Artist Statement

Commonly adapting systems-based strategies, my work embraces chance outcomes and sits at the intersection of new media, photography, and a performance act. Stalking Michael Stipe: Another Prop to Occupy My Time is an interactive multimedia installation detailing the accounts of a 36-hour photographic road trip through the Georgia landscape in pursuit of my one-time Rock n’ Roll idol. The project parameters were simple. When Michael emerged from his house the project began. When I lost his trail the project ended. All spaces I was led to in between became my photographic territory.

Stalking Michael Stipe is experienced in 3 parts: 30” x 35” color photographs, an interactive 35mm slide box experience referencing the research and events that brought me to Michael’s door in Athens, GA, and a performed lecture detailing the many moments of coincidence that happened along the way. This online gallery is an abbreviated reinterpretation of the original installation, integrating both research slides and the final photographic outcome into a new self-contained and nonlinear sequence. An expanded version of this project can be seen on my personal website.

Many have inquired about why I chose Michael Stipe as my subject. In short, for me, he was worth it.

Artists Bio

Jon Horvath is an artist and educator residing in Milwaukee, Wisconsin. He received his MFA from the University of Wisconsin-Milwaukee in 2008. Horvath’s work has been exhibited nationally in galleries including: The Print Center (Philadelphia), Macy Gallery at Columbia University (New York), Newspace Center for Photography (Portland), and The Detroit Center for Contemporary Photography. His work is currently held in the permanent collection of the Philadelphia Museum of Art, The Haggerty Museum of Art, and is included in the Midwest Photographers Project at MoCP . Horvath was a finalist for the The Greater Milwaukee Foundation’s 2009 and 2010 Mary L. Nohl Emerging Artist Fellowship. In 2011, he was named a US Flash Forward winner by The Magenta Foundation. Horvath currently teaches at The University of Wisconsin-Milwaukee.

www.jonhorvath.net

Critic’s Bio

Greer Muldowney is an artist, photography professor and independent curator based in Boston, Massachusetts. She received an undergraduate degree in Political Science and Studio Art from Clark University, and an MFA from the Savannah College of Art and Design. She has acted as the Curator for the Desotorow Gallery in Savannah, GA and is the Regional Coordinator for the Flash Forward Festival on behalf of the Magenta Foundation. Muldowney also serves as an active member of the Board for the Griffin Museum of Photography, and currently teaches at Boston College and the New England Institute of Art.

Her work has been exhibited and published in North America, Hong Kong, Malaysia and France, and is a 2013 recipient of a Massachusetts Cultural Council Fellowship.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP