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Posted on May 24, 2018

Karen Klinedinst: The Emotional Landscape
Karen Klinedinst
July 31 – October 9, 2018

Reception September 26, 2018 6:30 - 8 PM

Fallen tree

Statement
All of us have a deep connection to certain places. We see these places not as they are, but idealize them through our memories.

I draw my inspiration from 19th century landscape painting ranging from Thomas Cole, George Innes and The Hudson River School painters to Caspar David Friedrich. Similar to these painters, I interpret the landscape and how it affects me emotionally and spiritually. My approach is not about capturing reality, but creating a neo-Romantic world reflective of my memory and imagination.

Thomas Cole believed humans must commune in “pure nature.” Walking in nature is an integral part of my creative process, and forms my point of view. The act of walking allows me to experience the nuances of light, weather and time. It becomes a form of meditation.

All of these landscapes were captured with my iPhone while walking through these special places. Like a painter, I manipulate these images through the layering of textures and colors to express my emotional response to a landscape that exists only in my memory. -KK

Bio
Karen Klinedinst is an artist and graphic designer based in Baltimore, Maryland. Originally from central Pennsylvania, she spent much of her childhood painting and drawing the landscape around her. She is a graduate of the Maryland Institute College of Art (MICA) in Baltimore. For over 20 years, she has maintained a fine art photography practice focused on place, nature, and the environment.

Her landscapes have been exhibited widely, including: Massoni Art Gallery, Fleckenstein Gallery, South x Southeast Photo Gallery, Adkins Arboretum, Maryland Art Place, Soho Photo Gallery, The Center for Fine Art Photography, Griffin Museum of Photography, and the Biggs Museum of American Art. Her work is in the collection of the National Park Service, and numerous private collections.

She was a 2004 Platte Clove artist-in-residence at the Catskills Center for Conservation and Development, and a 2006 National Park Service artist-in-residence at Acadia National Park in Maine. In 2015, was awarded an Individual Artist Award from the Maryland State Arts Council.

She teaches iPhone Photography workshops at the Creative Alliance, Adkins Arboretum, Johns Hopkins University’s Odyssey Program, and at her Baltimore studio.

Resumé of Exhibitions
2018

January-February 2018. Focal Point. Group exhibition curated by Adam Davies. Maryland Federation of Art, Annapolis, MD.

January-March 2018. Tree Talk. Group exhibition curated by Paula Tognarelli. Griffin Museum of Photography at Lafayette Center, Boston, Massachussetts.

April 2018. Illuminate. Group exhibition curated by Peggy Sue Amison, Center for Fine Art Photography, Fort Collins, Colorado

2017

November–December 2017. Vistas. Group exhibition curated by Dan Burkholder. A. Smith Gallery, Johnson City, TX.

November–December 2017. The Emotional Landscape. Solo exhibition. Through This Lens Gallery, Durham, NC.

October–November 2017. PHOTO ’17. Group exhibition curated by Molly Roberts, National Geographic. Multiple Exposures Gallery, Torpedo Factory Art Center, Alexandria, VA.

October–November 2017. Click! Juried Photography Exhibition: Resist. Group exhibition curated by Michael Pannier, director of the South East Center for Photography. Watts Grocery Gallery, Click! Photography Festival, Durham, NC.

August 2017. Juried Photography Show. Chestertown RiverArts Gallery, Chestertown, MD.

July–August 2017. Third Annual Group Show, curated by Paula Tognarelli, director of the Griffin Museum of Photography. Davis Orton Gallery, Hudson, NY.

July–August 2017. The Summer Show. Group exhibition curated by Julie Grahame. South x Southeast Gallery, Molena, Georgia

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP