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Posted on December 30, 2016

Voice of the Woods
Koichiro Kurita
April 6 – May 28, 2017

Reception Sunday, April 9, 2017, 4 - 6:00 PM

Grid of trees
Grid of trees

To commemorate the 200th anniversary of Henry David Thoreau’s birth in 2017, Koichiro Kurita’s work from the project Beyond Spheres will be exhibited in the Main Gallery of the Griffin Museum of Photography, Winchester, MA from April 6 through May 28, 2017. In response to Thoreau’s writings and overriding philosophy regarding timeless man’s relationship with nature, these photographs are an answer to the question “What if Thoreau had been a photographer?” A reception will take place at the Griffin Museum of Photography on Sunday, April 9, 2017 from 4 – 6 PM.

Koichiro Kurita launched the Beyond Spheres project in 2010. The aim of this project was, and is, to give pictorial form to Thoreau’s ideas and writings by employing the existing photographic methods in Thoreau’s time and invented by his contemporary, photography pioneer William Henry Fox Talbot. In homage to Thoreau and Talbot, Kurita has created handmade photographs with the same depth of thought and reflection on man’s coexistence with nature in this project. This approach provides a unique opportunity to experience Thoreau’s philosophy of man’s relationship to nature in visual form and to demonstrate the value of photography made by hand in today’s fast-paced world.

Kurita has chosen to work with Calotype, an early photographic process, invented by William Henry Fox Talbot in 1841, in which a paper negative is produced and then used to make a positive contact print in sunlight. The Calotype emulsion requires processing just before exposure and development and must be done on location. This process, which preceded the glass plate and subsequent film technologies, is a slow process and its unique beauty is closely aligned to the nature of paper. Once the negatives are created they are placed against albumen or salted paper print, and contact printed with the sun.

Kurita began to create Calotype work from 2010 in NY and in Maine until 2013. In 2014-2015, Kurita photographed the world of Walden. It was here that Thoreau built his cabin and lived for two years, two months and two days; an experience that led him to write Walden, the masterpiece that has inspired readers for so many years. From October 2015 through 2016 the project explored remote and hidden sites along the Ipswich, Concord, Assabet, Sudbury and Merrimack Rivers, retracing portions of the 1839 journey chronicled in Thoreau’s book A Week on the Concord and Merrimack Rivers. Many of the shooting locations were accessible only by canoe.

Born in Japan, Koichiro Kurita attended Kwansei Gakuin University in Kobe. He studied perceptual psychology and used a camera for his experimental research when he was a college student. The American writer, poet, philosopher and naturalist Henry David Thoreau has been a great inspiration to Kurita since he read Walden in the mid of 1980’s. His encounter with this book set him on a new path. He gave up his career of commercial photography and has been working with nature landscapes for more than 25 years.

In the early 1990’s Kurita came to the United States on a grant from the Asian Cultural Council Foundation, created by John D. Rockefeller 3rd to encourage international dialogue between artists and scholars. Kurita has continued his exploration of what Thoreau described as “the harmonious relationship between nature and humanity”. Koichiro Kurita’s works have been exhibited internationally and collected by numerous museums, including the Museum of Fine Arts, Boston, Harvard Art Museums, the Museum of Fine Arts, Houston, the Los Angeles County Museum of Art, the George Eastman Museum, the Maison Europeenne de la Photographie, the Biblioteque Nationale de France, Paris, the Tokyo Fuji Art Museum, the Farnsworth Museum in Maine and many others.

Koichiro Kurita is represented by 555 Gallery in Boston.

Our thank you to Lincoln Canoe Company and Lowell Gallery Custom Framing.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP