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Posted on February 9, 2017

Lost Venice
Sarah Hadley
February 28 – May 2, 2017

Reception April 7, 2017 6-8 PM

Balcony in Venice
Boat and person
Venice canal

Sarah Hadley

Lost Venice

Feb 28, 2017- May 2, 2017

Reception April 7, 2017 6-8 PM

 

Sarah Hadley’s project, Lost Venice, articulates nostalgic memories and her long history with the city. For over 20 years, Hadley has photographed the architecture and landscapes of Venice, gathering photographs that not only show its overwhelming beauty, but also how she sees the life in Venice rapidly evolving as the foundations gradually crumble.

Hadley’s series, Lost Venice, will be on display in the Griffin’s satellite gallery, The Griffin@SoWa at 530 Harrison Ave from February 28 through May 2, 2017. A reception will take place on April 7th, 2017 from 6-8 PM.

Hadley explains, “I chose Venice because of my long history with the city- one that began when I was four years old in Boston, Massachusetts, and we moved to a house modeled on a Venetian Palace – the Gardner Museum. We lived in the Director’s apartment above it for most of my childhood and we traveled to Venice often, as it was a place my family loved. Years later, I was photographing there on a foggy November night and I saw a man that looked just like my father walking over a bridge and I felt as if I’d seen a ghost. The sadness in this work is about the loss of my father, who died suddenly when I was 25, and it is also my feelings about the loss of my childhood home, that Venetian Palace, and about the fragility and impermanence of things.”

Sarah Hadley tells Jim McKinniss of The Photo Exchange, “My current work revolves around the feeling of longing. I love to travel but want to be everywhere at once, even at home. I yearn for the past, yet love daydreaming about the future. I work in sepia and often blur the edges, both as a nod to antique photographs and as a way to draw more depth and feeling out of a black and white image. I want the places to seem dream-like and otherworldly, as if the place is both familiar and unknown.”

As a child, Hadley had an interesting introduction to art at the Isabella Stewart Gardner Museum where her father was director. She spent 18 years surrounded by art in a Venetian palazzo. She studied both art history at Georgetown University and photography at the Corcoran College of Art. She then spent time living and working in Venice, Italy at the Guggenheim Museum and the Venice Biennale. Subsequently, she worked at the National Gallery of Art, the Library of Congress and as a photojournalist for a small town newspaper in Virginia. She then chose to move to Chicago, where she founded the Filter Photo Festival in 2009. Sarah Hadley has participated in many exhibitions, including: Fotofever (Paris), the Lishui Photo Festival (China), the Worldwide Photography Biennial (Buenos Aires) and the Ballarat Festival (Australia) and in galleries and museums around the US. She has been featured in many publications and online blogs including “B+W Magazine” (UK), “ArtTribune,” “Shots Magazine”, Lenscratch.com, and “F-Stop Magazine”. Hadley currently resides in Los Angeles.

The Griffin thanks GTI Properties and SoWa Boston for their continued support of the Griffin Museum in bringing this exhibit to the public.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP