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Posted on July 9, 2013

Perceptions
Miah Nate Johnson
– September 20, 2013

Opening reception August 8, 2013 6 – 8 pm

A person is in a store window cleaning glass
Miah Nate Johnson
people watch the 4th of July parade with steamers and balloons and an American flag tagged to a building.
Miah Nate Johnson

Miah Nate Johnson finds art in routine aspects of everyday life.

A series of his photographs, Perceptions, is featured at the Griffin Museum at Digital Silver Imaging, 9 Brighton St., Belmont, MA, July 3 through August 26. A reception with the artist is August 8, 6-8 p.m.

“The images are typically ordinary moments between ordinary people, nothing special, as they say,” Johnson explains. “But for me there is beauty in such experiences and an instinctual need to look rather than look away.”

“Why should we care about the everyday mundane? It is because through the act of bearing witness, we transform the mundane into art.”

Johnson says the series of black and white images “juxtaposes parallel or mirroring images that subtly bring the viewer into relationship with seemingly disparate elements. In these images, relationships emerge slowly and sometimes bestow themselves with a finality.”

He adds, “My work explores the relationship between the constructed backdrops of modern society and the individuals who play out their private, human dramas within and against these public spaces.”

Johnson began working for wire services, including the Associated Press, while in college. After graduating from the Academy of Art in San Francisco, he traveled to Eastern Europe to photograph scenes from the Velvet Revolution and the fall of the Berlin Wall.

After returning to New York, he spent a year at Magnum Photos. His work has since taken him to unexplored islands off the coast of Africa, as an underwater photographer, and to Hollywood movie sets, where he contributed still photography to the films Sphere and War of the Worlds.

His clients include National Geographic, National Geographic Channel, The New York Times, The City SUN, World Wildlife Fund, American Red Cross, Warner Bros., and Paramount Pictures, among others.

Johnson’s awards include a 1994 Picture of the Year for magazine pictorial, as well as honors from the Chicago International Film Festival, EPIC Festival, and Houston Innerspace.

He lives and has a studio/darkroom in Wellfleet, MA, and is the recipient of five Massachusetts Cultural Art Council regional grants.

The Griffin satellite gallery, which had been at 4 Clarendon St. in Boston’s South End, has moved back to its renovated and expanded space in Belmont.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP