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Posted on September 19, 2016

The Big Dig
Michael Hintlian
October 4 – January 6, 2017
Iron worker
Michael Hintlian
Construction site
Shadow of worker

Michael Hintlian spent extensive days working beside the construction workers of the Central Artery/ Tunnel Project. Unofficial and without permission, he continued to return and photograph until the construction was over. Thus his project came to an end. His dedication and love for handmade work served as the inspiration for his own work.

Hintlian’s series, The Big Dig, will be on display in the Griffin’s satellite gallery, The Griffn@ SoWa at 530 Harrison from October 4th through December 4th, 2016.

“From the get-go, the idea of this work had little to do with the landmark phases of the construction though some of the ribbon-cutting ceremonies provided interesting picture opportunities,” said Hintlian. He goes on to say, “Instead, it was about how these amazing assets were created, which was mostly by hand. This act of becoming, where men and women created and built with their hands, was how I saw the Big Dig.”

Michael Hintlian’s work has appeared in major U.S. dailies and international periodicals, and has been widely exhibited and collected. His photo-documentary Digging: The Workers of Boston’s Big Dig was published in 2004. Hintlian has served on the faculties of The School of the Museum of Fine Arts, Boston, The New School for Social Research, and Parsons School of Design, New York. Currently he heads the Documentary Photography department at New England School of Photography in Boston.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP