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Posted on April 5, 2021



–
statue in garden
© Sally Chapman, “Bacchus, Crane Estate, Ipswich, MA”
pan statue
© Sally Chapman, “Pan, Statue of Pan, god of the wild. Tower Hill Botanic Garden, Boylston, MA, blanketed in flowers.”
angel statue
© Sally Chapman, “Angel, Angel and child statue from St. Charles Borromeo Rectory, Woburn, MA. Apple tree in Dracut, MA. Pathway to marsh at Crane Estate, Ipswich, MA”

Victory Statue
Sally Chapman, “Victory Marsh, BVictory monument in Lowell, MA. Salt mash on Crane Estate, Ipswich, MA. Blooms in Tower Hill Botanic Garden.”
baker statue
© Sally Chapman, “Doughboy, First World War monument in Acre neighborhood, Lowell, MA. Tower Hill Botanical gardens.”
sailor statue
© Sally Chapman, “Cosmo Sailor, Civil War Union Sailor on monument in Worcester, MA. Crane Estate garden, Ipswich, MA.”

flowers and statue
© Sally Chapman, “Zinnia_Path, Spanish American War monument, Lowell, MA. Lowell Tyngsborough, Dracut Woods and Zinnia garden in Lowell MA.”
statue and produce
© Sally Chapman, “Lettuce March, Union Soldier monument, Woburn, MA. Farm field of lettuce in Dracut, MA. Sumac branches on Crane Estate, Ipswich, MA.”

Statement
In Mythic Nature I create compositions of an imagined world. I am fascinated by statuary in the private and public space. These monuments have been erected to embody the mythos, ideals, and spiritual aspirations of the community. They are tributes to the sacrifice of local heroes, ancient gods, or religious icons and form the basis of my imagery. I digitally remove the statues from their stark plinths and merge them with an envisioned landscape, ensconced in blankets of flowers from manicured formal gardens that contrast the hand-hewn surfaces of statues with the natural world. From these composited images, I create digital negatives which I use to print in the 19th century cyanotype process. Drawn to this technique for its tactile quality, I further add my hand into the image by drawing with pastels. The vertical orientation is a nod to the Asian scroll format and accentuates the upward movement of the statuary and the flowering plants as they both reach for the light and our ideals. – SC

Bio
Sally Chapman is a photographer living in Lowell, MA. After earning a BFA in ceramics and photography from Michigan State University, she worked for over twenty years as a ceramic artist exhibiting widely. When she returned to photography ten years ago, she gravitated towards tactile methods of printing. In her current work, Mythic Nature, she uses the 19th century photographic process, cyanotype.

She has been published in The Hand magazine and has had solo shows at the MIT Rotch Architectural Library, Cambridge, MA; Gallery 93, Brookline, MA; and The Sanctuary in Medford, MA. She won the Excellence in Photography Award at the Rockport Art Association and Museum National Show. She has been included in many group shows including at the Griffin Museum, Winchester, MA; Image Flow Gallery, Mill Valley, CA; Soho Gallery, New York, NY; Photo Place Gallery, Middlebury, VT; and the Danforth Museum, Framingham, MA.

In addition to her BFA in ceramics and photography from Michigan State University, Chapman has studied photography in workshops offered by the New England School of Photography, Griffin Museum, MIT, and Harvard University.

CV
Solo Shows

Art Church – Yards of Faith/Shrines and Altars, The Sanctuary, Medford, MA, Nov. 26 – Jan. 31, 2019
Night Becomes Us, The Art Complex Museum, Duxbury, MA, 2017
Gallery 93: Yards of Faith/ Heritage, Brookline, MA,  Nov. 2- Dec. 29, 2017
Yards of Faith, MIT Rotch Architectural Library, Cambridge, MA, April 5 – May 2, 2016

Group Shows

2021
Soho Photo Gallery’s 16th Intl Alt Processes Competition, Soho Gallery, New York, NY.
Image Flow Gallery, 5th Annual Alternative Process Photography Exhibition, Mill Valley, CA.
Botanical, Photo Place Gallery, Middlebury, VT.

2020
Somerville Toy Camera Festival, Somerville, MA.
Juror: Bill Franson

Online Exhibition 26th Juried Show, Griffin Museum, Winchester, MA.

Corona: It’s All About the Light, Griffin Museum, Winchester, MA.

Primary Source, Griffin Museum Satellite Gallery-Lafayette City Center Passageway, Boston MA.

2019
Rockport Art Association and Museum National 2019, Rockport, MA. Excellence in Photography Award
Annual Open Arts Juried Exhibition 2019, Amazing Things Arts Center, Framingham, MA.
In God We Trust: Reflections of Religion in America, Hera Gallery, Wakefield, RI.
Somerville Toy Camera Festival, Brickbottom Gallery, Somerville, MA.

2018
Somerville Toy Camera Festival, Washington St. Gallery, Somerville, MA.
Personal Perspective, Darkroom Gallery, Essex Junction, VT.

2017
The Curated Fridge Winter 2017, Somerville, MA- curator Elin Spring

2016
Danforth Art Annual: 2016 Juried Exhibition, Danforth Art Museum, Framingham, MA.
2016 National Prize Show, Cambridge Art Association, Cambridge MA. Juror: Paul Ha
2016 Annual Contemporary Art Survey (ACAS), Lincoln Center, 417 W. Magnolia, Fort Collins, CO.
Sacred and Liturgical Art 2016, Springfield Art Association, Springfield, IL.
The Fine Art of Photography – 2016, Plymouth Center for the Arts, Plymouth, MA.
Photowork 2016, Barrett Art Center, Poughkeepsie, NY.
Juror: Karen Irvine
Atelier 23, Griffin Museum, Winchester, MA.
Blue, Cambridge Art Association, Cambridge, MA.

2015
Reclamation II: Emerging Female Artists, Nave Gallery, Somerville, MA,
14th National Prize Show, Cambridge Art Association: Kathryn Schultz Gallery, Cambridge, MA.

Bibliography

The Hand Magazine, Issue #30, November 2020, pg. 42
The Hand Magazine, Issue #29, July 2020, pg. 22
The Hand Magazine, Issue 25, July 2019, pg. 35
PRINTWORKS print sales newsletter- July issue, 2019

Visit Sally Chapman’s Website

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP