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Posted on July 2, 2015

1972
Noritaka Minami
– August 31, 2015

Reception on July 9, 2015 7-8:30 PM

A circular window
Noritaka Minami
A circular window with a curtain.
Noritaka Minami

Noritaka Minami has been photographing the Nakagin Capsule Tower in Tokyo for the past four years.

Minami’s series is featured in the Atelier Gallery at the Griffin Museum of Photography July 9th through August 30th, 2015. An opening reception will take place on July 9th, 2015 from 7-8:30pm.

The architect Kisho Kurokawa completed the tower in 1972. “As a building attached with 140 removable apartment units, the Nakagin Capsule Tower embodies the future of urban living as envisioned by Kurokawa in postwar Japan,” states Minami. He also says that, “the building is a reminder of a future that was never realized in society at large and exists as an architectural anachronism within the city.“

Kurokawa’s plan was to mass-produce the capsules. Despite this, the tower is still one of a kind and will more than likely be demolished to make way for a more modern apartment complex. Each 10 foot square unit within the Nakagin Capsule Tower was built identically. Today the units are in various states depicting the personality and needs of the occupants. Minami photographs the apartments from a consistent frontal perspective that speaks to a passage of time and shows a diverted route from the foreseen path envisioned by the architect.

Noritaka Minami is an artist and educator based in Boston. He currently is a teaching fellow at Harvard University in Photography as well as a visiting faculty member at the Museum School. He received a BA in Art Practice from the University of California, Berkeley in 2004 and a MFA in Studio Art from the University of California, Irvine in 2011. He has exhibited widely in the United States, was a recipient of an artist residency from the Center of Photography at Woodstock and his book “1972” will be published by Kehrer Verlag this year.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP