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Posted on November 26, 2019

October All Over
Kyle Souder
December 7 – May 3, 2020
Workers on a ladder
Plants in tubs
Sorting plants

Tieing up plants
Sorting plants on a belt.
Fog sets in.

Workers with masks on.
Plant buds.
Two people on arch.

Covering plants.
Winter and snow sets in.
Burning plants.
© Kyle Souder

Sign do not smoke warning.
Sleeping area.
Man keeping guard.

plants on a beautiful day.

Statement
October All Over is the culmination of several years spent living in, working in, and documenting the Southern Oregon cannabis industry prior to legalization and during the time shortly after. I began this series in 2014 and stopped in the fall of 2017. I started with no motive or intention that was specific to photography. In the way I prefer to work, I was just there and had a camera that could fit in my pocket. I certainly wasn’t given an assignment. 

Sometime late in 2015 or early 2016, the realization that things wouldn’t remain as they were started to sink in. The industry was rapidly changing and continuing to operate in a dubious legal manner was becoming more difficult than it was even prior to legalization. Around this same time, the idea that capturing this may serve as some kind of “first person” historical account began to develop. I realized that this was the end of an era and the beginning of something much different. 

Up until that point, any concept or idea of a project, if there could be one, was always rather open ended: “people living and working in this crazy underground industry from the perspective of someone also embedded in it”. Since I was doing the work and living a similar life as everyone else, it just made sense. Some part of me still wanted to portray a narrative that remained personal, while also making clear that this was in one sense a dying industry; or at least one that had for better or worse shed its chrysalis and emerged as something very different. -KS

Bio
Kyle Souder is a Portland, Oregon based photographer. From 2009-2014 Kyle played bass in math-rock band Duck. Little Brother, Duck! During this time, he toured the US and Japan. It was through these frequent travels, often finding himself on the other side of the camera, that his infatuation with the alchemy of candid photography was rekindled. Kyle prefers to work in the vein of documentary and candid based photography. He is deeply infatuated by the pursuit of serendipitous moments, often finding the camera more capable than his philosophy education in helping to make sense of our shared reality. Kyle recently was awarded a scholarship to attend the CENTER’s 2019 Santa Fe Review.

Kyle is currently working on a book that is an extension of his series October All Over.

CV

Publication 

“Photographers: Color” Eyeshot, September 2019 

Freeman, Jesse “Jesse’s Visual Interviews: Kyle Souder” Japan Camera Hunter, April, 2019 

ACCCG Press, “ANTIBody Vol. 1” ACCCG Collective Publication, May 2019 

Awards and Recognition 

Attended – CENTER Santa Fe Review 2019 

Short List – Athens Photo Festival 2019 

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP